The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Crowning the cultural jaws of Adelaide with the JamFactory

Brian Parkes has been the JamFactory’s chief executive officer for about 18 months. Also in charge of its creative direction, he is keen to see it grow as a place unique in the way it trains designers, produces and markets quality design and as an educator about design. “It’s an extraordinary organisation with a rich […]



BY

July 4th, 2011


Brian Parkes has been the JamFactory’s chief executive officer for about 18 months. Also in charge of its creative direction, he is keen to see it grow as a place unique in the way it trains designers, produces and markets quality design and as an educator about design.

“It’s an extraordinary organisation with a rich history but it hasn’t reached its full potential,” he said.

“It should be a crown in the cultural jaws of Adelaide.”

To get there, Brian said the Factory needs to nurture outstanding talent through its programs, including its workshops and residencies, and be a place that engages and informs communities and builds knowledge about design.

Recently, the Factory helped students from Gilles Street Primary School design and market brooches. The project helped nurture design thinking and 3-dimensional processes in to young minds.

Brian said it is a huge task for students to try to understand the whole cycle of consumption and how the market works, “but they are all over it”.

Brian is a guest speaker at the Design Institute of Australia (SA Branch)’s Snap, Crackle and Speak breakfast this month.

To buy tickets visit www.trybooking.com/dec

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed