Through the lens of their recent Merck Sharp & Dohme development in Sydney’s Ryde, Davenport Campbell Head of Interiors, Lisa Dinham, explores why a culture of essential elements is important to modern commercial spaces.
September 4th, 2015
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At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
We chatted with the illustrious designer Patricia Urquiola at the Space Furniture Singapore showroom and asked her to share her view of future living and why she thinks we are the last generation that will die.
National Graduate Exhibition at Object Gallery, Sydney, until 15th June 2008.
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Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
For centuries, stone and timber together have been used to translate architectural ideas into tangible spaces and places. There is a soul-level response to their sensory qualities, one that translates into an immersive feeling of connection and belonging.