At Milan Design Week, a series of chairs by Ponti Design Studio will tell the story of Hong Kong’s urban landscape.
March 29th, 2017
Hong Kong’s issue with urban density is well known. Current population density measures 18,258 people per square mile (worldometers), while it’s estimated that some 100,000 people live in 40-square-foot high-rise cubicle apartments.
Andrea Ponti, an Italian who has lived in Hong Kong since 2013, has produced a series of chairs under his eponymous firm Ponti Design Studio that serve as a metaphor of this city’s unique urban landscape.
To be shown during Milan Design Week, Shadows in the Windows takes on two symbolic elements, a window and a seat, and presents them as objects in eight distinctive variations.
The window is the architectural element that represents the concept of urban density. In large apartment blocks and high rises, windows appear standardised and impersonal. They repeat in grids of identical rows and columns. At first sight. Yet a second glance reveals the story behind each window: the story of the residents living behind those windows, occasionally projecting their contours or shadows over it.
The seat by the window, the other symbolic element, projects its contour and its shadow over the window, and represents what is behind the window.
All eight seats share the same design concept: a square window frame, the contour of the chair, clean lines, steel and ABS. Yet, each seat is different and embodies a unique version of the overarching concept.
Shadows in the Windows will be shown at Milan Design Week, 4 – 9 April 2017.
Superdesign Show 2017, Selected Objects pavilion, Superstudio Piu, Milano.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
After Milan Design Week’s ‘festival of consumption’, 3daysofdesign offers a much-needed reset, an opportunity to ‘make the world a better place’ and perhaps even a soft-launch of the future.
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
The internet never sleeps! Here's the stuff you might have missed
AFK Studios’ Earle Arney joined STORIESINDESIGN podcast last year to speak about SyLon. Here, we reproduce a summary on a recent report with NLA that builds on research into housing as infrastructure amidst a landscape of housing crisis.
Powerhouse Parramatta has commissioned more than 50 leading designers from across Australia to shape the spaces and experiences of the new museum, including public, exhibition, restaurant and retail spaces.