Openest by Patricia Urquiola for Haworth Collection is an ensemble of comforting furniture for today’s flexible work environments.
April 11th, 2016
Top image: The Openest collection
So many factors influence how people feel in the workplace. Certainly, comfort and the flexibility of the environment are important contributors to feelings of wellness. These were the starting points for Patricia Urquiola when she designed the Openest collection of lounge furniture for Haworth Collection.
Openest is an ensemble of comforting furniture for today’s flexible work environments – pieces with which to create warm and inviting spaces. At the core of the collection are gentle yet playful rounded forms and tactile softness. Openest is unexpected yet familiar, and sets the tone for thoughtful connection and contemplation.
The Chick seat and Feather sofa offer adaptable, approachable comfort for one person or a group. The curvature of the Feather sofa allows arc of space to be defined by clusters of sofas.
Soft to the touch, the textile-finished Plume screen can be positioned in various arrangements to create refuge for working or relaxing – flexible, comfortable spaces where one can interact or work alone.
Small in size and easily moved, the Sprig coffee table provides a surface wherever it is needed in the spatial arrangement.
In this video, Patricia Urquiola shares further insight into her collaboration with Haworth.
Haworth Collection
haworthcollection.com
Haworth
ap.haworth.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
From Aesop’s light-filled installation by Australian architect Rodney Eggleston to Molteni&C’s immersive garden worlds, these are the exhibitions, launches and interventions shaping Milan Design Week so far — with more to come.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The internet never sleeps! Here's the stuff you might have missed
Designed by JPE Design Studio with Warren and Mahoney and cultural creative designer Karl Winda Telfer, Adelaide Aquatic Centre — Kauwingka — recasts civic leisure as landscape, gathering place and cultural story.
CPD Live arrives next week, bringing together leading experts across design, accessibility, workplace wellbeing, innovation and the built environment. Attendees will hear practical insights, emerging ideas and real-world experiences from some of the industry’s most respected voices.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.