The latest issue of Indesign is packed full of the best the region has to offer in projects, products and people.
November 21st, 2012
After Indesign #50, you might think it hard to get any better – and we don’t say that without reason. Since issue #50, we have been flooded with enthusiastic feedback on our special issue that gives a nod to the past and provides a beacon for the future.

BBC North
While we can’t do a special issue every issue, we believe Indesign #51 is packed with interesting, stimulating and diverse content.
In our second edition of our new lighting section, we explore the pros and cons of LED.

Ross Didier
In another of our regular features, our Indesign Luminary is Melbourne-based designer, Ross Didier – one of the mid-career success stories of Australian design.
We again offer a diverse survey of workplace design from the ultra-sleek BBC North offices in London to the sophisticated adaptive re-use by DesignInc for the Australian Red Cross in Melbourne.

Gardens By The Bay
We also review Singapore’s Gardens by the Bay, fresh from its major award at the 2012 World Architecture Festival and, by way of comparison, Vancouver’s extraordinary Van Dusen Botanical Gardens. We look at BVN’s landmark, award-winning student accommodation at Monash University, which sets a new benchmark in this too often neglected field.

Cessnock Hangar, Peter Stutchbury
We are also delighted to have Peter Stutchbury back in the magazine with one of his occasional rural masterpieces, an airport hanger/museum in Cessnock in country NSW, Australia.
Completing our line-up of award-winning projects is FJMT’s breathtaking make-over of the Auckland Art Gallery Toi o Tãmaki.

Wang Shu, Pritzker Prize Winner
We also showcase two residential projects – one from Sydney and another from the Mornington Peninsula, an interview with Pritzker Prize winner Wang Shu, and a fascinating look at what could be done for housing in Nauru.
For a glimpse inside this issue of the magazine, check out our online preview. Indesign #51 is on sale from 21 November 2012, or subscribe here.
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The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Young designer Steven Orlowski takes his cue from science, numbers, nature and Federation Square.
When Jake Dyson set out to redesign the task light he rethought the LED light bulb so that it actually does what it claims; and that is to be a truly sustainable light source. Rebecca Gross reports.
Curated by France-based architects Lacaton & Vassal, ‘Living in the City’ runs at the Tin Sheds Gallery within the Sydney School of Architecture, Design and Planning until September 23.
Electrolux Design Lab, a popular global design competition in its 12th year, is calling on Australian design students to enter this year’s contest. Students compete for a six-month paid internship and a prize of 5,000 Euros by submitting innovative design ideas for the future home.
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Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
On the occasion of Salone del Mobile 2026, the Opale collection designed by Patrick Jouin for Pedrali expands with two new iterations: a chair and a barstool with armrests.
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.