The line between design and art blurs evocatively at the newly established Collective.1 Design Fair in New York. An exclusive report from New York by Stephen Ormandy of Dinosaur Designs.
May 14th, 2013
During a Design Miami dinner last year, I was fortunate enough to be sitting next to architect Steven Learner when he mentioned that he was creating a design fair for New York. The obvious question was why it didn’t already exist when there’s a rapidly expanding interest in art as design and design as art. Five months from launch there was still a lot to do but it was a golden opportunity and Steven took it.

Collective.1, Pier 57, 2013
To much anticipation the Collective.1 Design Fair, which presents a cohesive, curated selection of contemporary design and historical pieces from galleries around the world opened at Pier 57. Formatted into a large square with the stands dividing the space into a grid, the flow of the fair was well thought out.

Pier 57 New York
An electric retrospective treat of Italian master designer Gaetano Pesce (who hasn’t been seduced by the sexy curves of his ‘Up’ series of 1969) shows that his work is still very experimental in both form and material. Pesce’s pieces play with colourful plastics and silicones in fluid and graphic experiments that challenge both the viewer and the usefulness of the work. Pesce was last seen playing a heated game of ping-pong on the black table created just for that by Snarkitecture.

Gaetano Pesce

Gaetano Pesce
R20th Century showcased a mix of 20th century classics and contemporary works in a huge space that included pieces such as a side table by design partners Kelly Behun and Alex P White, which appears to be just poured and spilling on to the floor. There was also a number of exquisite original furniture pieces by Swedish designer Greta Magnusson Grossman from mid last century.

R20th Century
Deep brown walls created a perfect backdrop for contemporary, complex, yet beautiful works in walnut by Carol Egan at Maison Gerard. Egan’s CE7 is a mesmerizing twist solution for a table. Mario Del Fabbro’s sculptures rooted in 20th century abstraction stand as powerful reminders of just how good sculpture can be.

21st Twenty First
Lost City Arts features the wonderful sculptures of Harry Bertoia, most famous for his furniture design for Knoll. Many of the pieces have a musical quality like a harp when you brush them by hand.

Lulu Wolf, Mondo Cane
Volume Gallery from Chicago show the work of hot new contemporary design firms Snarkitecture and ROLU whose geometric take on a coffee table, Cosmos IV, in concrete and Douglas fir is brutal beauty.

Sienna Patti
Kinder Modern had a beautiful selection of last century design for children including works by Wagner.

Kinder Modern
Tyler Hays of BDDW created a very stylish VIP lounge reflecting all that is cool about New York lounging with a twist; bows and arrows. Into archery in a big way, the BWWD boys host a local competition at their Crosby Street showroom and asked if we would create a Dinosaur Designs team and compete. Hell yes! The best part is they make the bows in-house.

BDDW VIP Lounge

BDDW VIP Lounge
The Collective Design Fair is sure to become a feature on the design scene and is definitely one to put on your agenda when planning a trip to NY for the May Art and Design spectaculars.
Collective Design Fair
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
One of the best ways to improve productivity and collaboration is to create spaces that allow creative collisions. And with the trend towards breakout zones in today’s offices, more of us are collaborating than ever before.
With the Xingchuang International Center, Aedas architects take what could have been a busy city district and instead create a beautiful green space ‘brimming with openness and connectivity’
Say Hello to your Shortlist for The Social Space 2017 – celebrating design that imaginatively brings people together. These are impressive spaces where we interact and play. But what about these projects makes them ‘social’?
Emerging from millennia of geological force, each exquisite slab tells a singular narrative etched by time and tectonic power. And this luxurious dwelling serves as a masterful recontextualisation of this enduring beauty, highlighting the extraordinary aesthetic and uncompromising strength as the ultimate expressions of residential grandeur.
The internet never sleeps! Here's the stuff you might have missed
Following a design pilgrimage through Copenhagen, Stockholm and Finland, FK’s Nicky Drobis reflects on 3daysofdesign, the work of Aino and Alvar Aalto, and why great design begins and ends with people.