Louise Martin-Chew travels to Japan and brings us her reflections on Naoshima’s inspiring Benesse Art Site.
February 8th, 2011
Contemporary art in Japan is a revelation. There is so much of it, it is engaging, and investment by the private sector is highly visible – none more so than at the Benesse Art Site.
This series of museums and outdoor art experiences are an aesthetic adventure from arrival to departure.

Yayoi Kusama – ’Pumpkin’. Photo by Shigeo Anzai
The Art Site is located on a small island in the Seto Inland Sea near Okayama in western Japan. Yet despite its remoteness, a visit to Naoshima is unique and world class in its contemporary art, architectural and aesthetic experiences – all with a distinctly Japanese flavour in their focus on contemplation and immersion.

George Rickey – ’Four Lines’. Photo by Tadasu Yamamoto
Benesse Holdings, an Okayama-based company that began as publishers in 1955, established its corporate collection in a series of purpose-built house museums on Naoshima from 1992.
The Chichu Art Museum opened in 2004 specifically to describe a confluence of art and architecture “to demonstrate the ideals of living well”.
The architect for the entire project is Tadao Ando, who is credited with the same status as the artists whose work is integrated into his buildings.
Both the Chichu and the dramatic maze-like Lee-Ufan Museum (opened in June 2010) are constructed largely underground, so as not to disturb the natural beauty and profile of the environment (with forest behind and sea in front).

Art House Project – ’Go’o Shrine’ / Hiroshi Sugimoto – ’Appropriate Proportion’.
Photo by Hiroshi Sugimoto
However the buildings are naturally lit, the aesthetic spare but luxurious in terms of artistic opportunity.
Concrete and other natural materials create an environment that speaks to the ethic of the art program, “to create a grand view that presents people with time and space removed from everyday life to allow introspection and meditation on living well”.
The island has a permanent population of only 3,400 people. Essentially a fishing village, the less populated side of the island is dominated by the Benesse Art Site while several Art House Project sites in Naoshima’s village have been developed by artists such as Tatsuo Miyajima, Rei Naito and Hiroshi Sugimoto.
Artists including Yayoi Kusama, Jannis Kounellis, Cai Guo-Qiang, James Turrell, and Walter de Maria, and significant historical works by Claude Monet also grace the landscape and the walls of the Benesse Art Site.

Richard Long – ’Inland Sea Driftwood Circle’ / ’River Avon Mud Circles by the Inland Sea’
Photo by Tadasu Yamamoto
The work is brought together in a rarely seen and triumphant collaboration of artist and architect and harnesses the extraordinary natural force of its site.
Benesse Art Site Naoshima
benesse-artsite.jp
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Expect amazing installations, mind-blowing collaborations and so much inspo that your creative cup will flow over! Saturday Indesign exhibitors are right now preparing to transform their showrooms for the massive day.
The internet never sleeps! Here's the stuff you might have missed
Designed by JPE Design Studio with Warren and Mahoney and cultural creative designer Karl Winda Telfer, Adelaide Aquatic Centre — Kauwingka — recasts civic leisure as landscape, gathering place and cultural story.
Held at Vini Divini Wine Lab in Sydney, the event brought together designers, operators and project leaders for an evening of lesser-known wines and conversation.