The architects of one of the most sophisticated genetic banks in Australia have relied on Red cedar as the main material in the design, one of the oldest building materials in the world.
February 25th, 2015
Melbourne’s H2o architects chose to use cedar panels for the exterior of the Australian Grains Genebank in Horsham because they were the most flexible, thermally efficient buffer to the climate, the rain, wind and high solar loads, of the Wimmera plains.
The timber outer continues architectural firm H2o’s pioneering exploration of the use of timber cladding in commercial and institutional buildings, innovation that began with the RMIT textiles building and the first all-timber façade on a multi-level institutional building in Australia.
Australia’s most important seed bank facility combines the old and the new in other ways. State-of-the-art freezers will preserve old and new seed strains – original species endemic to Australia and food crop seeds in use around the world. On the outside of the building, timber panels will carry images of ancient crop circles and modern plant anatomy. And on the inside, timber floors and walls have been chosen and tinted to reflect the colours of the local environment and fauna.
In addition to preserving ancient seed strains, and contributing to biodiversity and food security, the facility will allow scientists to better develop crops resistant to salt, extreme weather, diseases and pests. The building will play important roles in genetic conservation, education and research.
The Horsham Genebank merges three Australian storage facilities and is part of an international network of seed banks that includes the Svalbard Global Seed Vault built
deep inside a snow-covered mountain on an island in Norway.
H2o architects
h2oarchitects.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
For the Australian launch of Bernhardt Design, KE-ZU hosted design maven Suzanne Trocmé
On point with the latest trends, the Mim chair serves as an undeniably attractive addition to any breakout or hospitality space.
The internet never sleeps! Here's the stuff you might have missed
Salone del Mobile and the wider Milan Design Week again provided plenty of food for thought this year. Here, we reflect on some design ‘trends’ as well as taking a more critical view of the annual gathering.