With sweeping views over the New South Wales Megalong Valley, the ‘Invisible House’ by Peter Stutchbury Architecture captures the essence of the Australian landscape. Ashley Tucker writes.
July 7th, 2016
Situated in the Blue Mountains four hours west of Sydney on a 75-hectare property, the Invisible House (which was named Australian House of the Year in 2014) offers a quiet retreat for a Sydney filmmaker and artist, who wanted a remote getaway and a place for visitors to immerse themselves in the Australian bushland. Nestled into a ridgeline dotted with native eucalyptus and gum trees, its natural platform provides protection from the harsh westerly winds, freezing winter temperatures and scorching summer sun, while still offering up uninterrupted views of blue skies and vast expanses of bushland. The house remains almost hidden upon approach and only appears as an extension of the sinuous ridge-line, highlighting its harmony with and connection to the natural setting.
From the top of the ridge, only the surface of roof can be seen, which features undulating rust-toned boxes and cantilevering surfaces stretching outwards to the east and west. The roof has two main functions – a dam for rainwater and a thermal device. The house sinks further into landscape upon entry from the ridge-top. Walking down a set of concrete stairs to the single level below, a wide cave-like gallery greets visitors. This runs through to the home’s internal spaces – four bedrooms, open plan kitchen and living space and a central courtyard with a fire pit. It is reminiscent of a campsite but protected from the elements in the heart of the home.
The form, materials and details run seamlessly from inside to out. Externally, concrete, glass and steel are able to withstand the pressures from the environment, while inside concrete floors, wall and ceilings are also designed for the same purpose. Materials like stone, star pickets, fencing wire, raw brass and hoop pine plywood mirror the elements you would typically find in a rural Australian landscape, bringing a sense of authenticity to the buildings interior.
Photography by Michael Nicholson
Peter Stutchbury
peterstutchbury.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Take a look at the outstanding work that made the cut in the Australian Institute of Architects’ national awards program.
The internet never sleeps! Here's the stuff you might have missed
At Salone del Mobile 2026, Catalan designer Eugeni Quitllet launched Libre, a new seating collection with Pedrali that focuses on form, function and ergonomics.
Presented by Woven Image