An unorthodox approach to auto show stand design is turning heads in Paris, Owen Lynch reports
October 3rd, 2012
“The goal was to spark emotion at first sight” explains the architectural team behind this immersive, travelling auto showcase for Renault.

Effectively thumbing their nose at the traditional fair stand design typologies, Dan Dorrell, Lina Ghotmeh and Tsuyoshi Tane (DGT) have addressed the concept of movement in what is intrinsically a very regulated and static environment.

In the design concept phase they uncovered the common value between concept cars, family ’estates’, sports vehicles and eco-electric city cars to be: ’motion’.

Building this into their design the team set about creating a fully-fledged experience rather than just a display platform. At 4312 m² this is a substantial build, coupled with the fact that the display will travel to 20 cities across the globe over a 3 year period. With this in mind “The Bump” is designed to perform its duties sustainably as well as prove adaptable – adjusting to suit various sites across Europe, South America and Asia.

Launched in France last week at the famed Paris Motor Show, “The Bump” is comprised of two rolling “hills” upon which the automobiles are displayed concentrically. With some models rotating, changes in atmospheric lighting overhead and dynamic projections on surrounding walls – the project is at once ambitious and engaging.

Having transformed their brand’s ethos under the slogan “Drive the Change” Renault are hoping to reap considerable reward from this gargantuan undertaking.

“We want the general public to experience the change during the 2012 Paris Motor Show. We want the experience to be as clear and friendly as possible by welcoming visitors to a new world.” Says Global Marketing and Communications Director for Renault, Stephen Norman.


Incorporating extensive back-of-house facilities, as well as showcasing vehicles “The Bump” can accommodate guests in meeting rooms, pop-up cafes, merchandise boutiques and breakout areas that are discretely concealed behind the vast projection screens that skirt the main floorspace.
Images © Takuji Shimmura
DGT
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Cube + Circle has claimed pride of place at the 61st annual Good Design Award ceremony last week, with their Spin Stool winning in the category of Furniture and Lighting Design.
HASSELL’s recent Singapore project is evidence that, in the modern retail landscape, the proof is in the amazement.
As masters of the bathroom and kitchen, Phoenix knows a thing or two about finishes. Its Curated Finishes Collection, however, is more than just a showcase, it’s a whole kaleidoscope of possibilities that makes your bathroom the centrepiece.
2020 has certainly been challenging so far, and the way we live and work has changed forever because of COVID-19, however at this time there is the opportunity to plan and re-shape the future and all with the help of Workspace Commercial Furniture.
The internet never sleeps! Here's the stuff you might have missed
On the occasion of Salone del Mobile 2026, the Opale collection designed by Patrick Jouin for Pedrali expands with two new iterations: a chair and a barstool with armrests.
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
Recently in Australia as plans for the first new cathedral in over a century in Sydney were announced, Níall McLaughlin met Timothy Alouani-Roby during his visit to discuss community, tradition, inspiration and the history of architecture.