This Adelaide restaurant’s commitment to all that’s natural, simple and organic is reflected in its design.
February 10th, 2012
Adelaide’s CBD has seen a number of inspired new dining venues pop up in recent years, bringing new vitality to the city outside of its established hospitality precincts.
One of the most recent is press*, a restaurant and wine bar set over 2 levels in a pre-19th century building on Waymouth Street. Taking its design cues from its food philosophy, the fitout has an earthy, natural feel.


“Press* has a strong food concept focusing on fresh, local, ’from farm to plate’, organic, home-grown, simple yet delicious food, so I tried to focus on the same ideology when it came to the design of the space,” says designer Claire Kneebone.
“The building was a great canvas for this concept. Built in 1880, its original use was a printing press, hence we had some great features to work and expose.”


Recycled timber and steel bring warmth and character to the space while showcasing the beauty of its existing features.
Each of the 2 levels of the restaurant has a distinct feel; downstairs, with its long communal tables, is relaxed and casual.

Upstairs is elegant in an old-world fashion, with blue velvet booth seating, bronze mirror and copper joinery and japan black timber veneered panelling all harking back to the 1920s, when the building served as a billiard saloon.



Custom furniture, joinery and light fittings were designed by Kneebone herself. “All in all it was a very hands-on project,” she says, explaining that all recycled materials were sourced locally.



press* food and wine
pressfoodandwine.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
New from Studio Hannes Wettstein, the Patio Collection rejuvenates the classical rattan chair of the past with an able and balanced mix of technology, craft and tradition.
Daegu (Korea) – Icograda Design Week in Daegu 2008 is quickly approaching! From 4-10 July 2008, professional and aspiring designers will come together to assess the current value of design and the role of colour in the communication design profession.
The Hume Global Learning Centre challenges any preconceived notions you might have had about the architectural typography a library can take; which is why it was awarded the International Global Library of the Year 2014. We grab our book bags and take a look around.
The internet never sleeps! Here's the stuff you might have missed