A small space makes a big statement at Pablo and Rusty’s, a boutique café and retail outlet in Sydney’s Lane Cove.
April 10th, 2012
With three shops under his belt already, Saxon Wright of boutique coffee seller Pablo & Rusty’s wanted to take his latest outlet in Sydney’s Lane Cove to a new level.
Giant Design were brought on board to create a space that was contemporary yet referenced the craftsmanship and hands-on nature of coffee roasting and brewing.

The design team of Chris Wilks, Cintia Mistro and Ed Kenny wanted to create an industrial, vintage workshop feel that retained an aesthetic distinct from other cafés.

Rather than using found objects and furniture, they created custom furniture and lighting pieces finished in zinc and brass, combining contemporary and antique.
A custom-made zinc-clad communal table is the focal point of the interior, dominating the space and creating a sense of industrial scale. The table is split into two elements at different heights, maximising the seating space available while creating two distinct zones.

Above the communal table hangs a cluster of milk crate pendant lights. The milk crate shapes are laser cut with a zinc skin and brass coloured interior to echo the finishes of the table below. Vintage milk bottles emit a golden glow and cast interesting shadows across the space.



Feature lighting, a honey coloured timber ceiling and exposed brick walls offset the shop’s polished concrete floors and metal finishes on the tables, counters and shelves, counteracting their hard surfaces and creating a sense of warmth.
The result is a small space that packs a visual punch, evoking days gone by while retaining its own contemporary feel.


Photography: Andrew Worrsam
Giant Design
giantdesign.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
Blur and blend: the conventional boundaries between academia and practice are thoughtfully broken down in the University of Sydney’s Susan Wakil Health Building.
In bringing 2000 Microsoft staff into a single location, Gensler has deconstructed the typical working model. Taking its client into unchartered territories, the design team envisaged a new working landscape that moves beyond the corporate norms to embrace ‘island’ life.
The internet never sleeps! Here's the stuff you might have missed
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
The Art Gallery of New South Wales has reopened the Brett Whiteley Studio in Sydney’s Surry Hills following a major renovation by TZG that upgrades the building while preserving the character of the artist’s former home and workplace.