Rockwell Group has designed Nobu’s first Asian hotel, as a part of the City of Dreams Manila project, an urban resort in Manila Bay.
June 11th, 2015
Offering guests an oasis of laid back luxury within the larger resort, Rockwell’s design includes 321 guest rooms, a 335-seat Nobu restaurant, and outdoor terrace. The material palette incorporates Nobu’s “truth-to-materials” aesthetic, which draws on organic forms in neutral tones, juxtaposed with bold dashes of purple and green.
Arriving in the lobby, guests are welcomed by cosy groupings of custom, live-edge wood tables and patchwork sofas. Darkened brass patterned screens divide the room into two lounge areas. A brass chandelier, inspired by bento boxes, and area rugs resembling gestural sand paintings set the tone for the relaxing experience that lies ahead.
The Nobu restaurant itself sits within an idyllic setting complete with outdoor terrace. The bar and lounge area feature semi-private pods, screened off with custom slats for casual dining and drinks. Two private dining rooms with removable screens have views to the terrace outside, where teak cabanas situated on a platform deck surrounded by water look out on the City of Dreams gardens.
Each guest room houses a feature wall in each room, displaying a custom graphic reinterpreting calligraphy. As in the lobby, carpets resembling sand paintings are an unconventionally bold feature.
Rockwell Group included organically shaped and distressed finish pine bedside tables in each room, with accompanying wooden coffee table. Custom standing and table lamps with lantern style shades set the rooms aglow.
The design of the hotel is at one time both modern, yet invitingly warm and marks a terrifically bold statement for Nobu’s move into Asia.
Rockwell Group
rockwellgroup.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Using data compiled from over 100 sources, New York based architecture firm Diller Scofidio + Renfro have created EXIT — a 360-degree video experience that unravels the reality of refugees and global migration, number by number.
The internet never sleeps! Here's the stuff you might have missed
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.