Timber is the material of choice in many of the Japanese architect’s built works. Our Singapore Editor, Janice Seow, takes a look at three recent projects in Japan and further afield.
September 6th, 2013
Top image: Besançon Art Center and Cité de la Musique, France. Photo © Erieta Attali
Garden Terrace Miyazaki
Located on the site of a former factory, Garden Terrace Miyazaki is a single, two-storey building with bamboo-clad walls and a sloping roof. The hotel’s facilities – guest rooms, banquet room and restaurants – surround the central courtyard and wedding chapel; at the entrance, a faceted timber canopy leads through to a reception area where guests can also enjoy a view of the courtyard.
Garden Terrace Miyazaki’s calm and tranquil environment is enhanced with a landscape of bamboo trees and pools of water.
Type: Hotel
Location: Miyazaki, Japan
Completion: 2012
Besançon Art Center and Cité de la Musique
Situated on the banks of the Doubs river in Besançon, France, this project comprises the Besançon Art Centre, which includes a gallery for regional collections and an art college, and the Cité de la Musique, a music school with its own auditorium.
A single roof connects the pair of timber-clad three-storey buildings, and creates a sheltered terrace in the space between.
Capt Besançon Art Center and Cité de la Musique, France. Photo © William Wattefaugle
The facade is made of steel and glass panels interspersed between a chequerboard of timber, which creates different transparencies to the various spaces inside the two buildings. Reception areas are filled with natural light, while classrooms and exhibition galleries are made more opaque.
Type: Art Centre
Location: Besançon, France
Completion: 2012
Sunny Hills
This yet to be completed project is a shop selling pineapple cakes – a popular sweet in Taiwan and various countries in Asia.
The space is built on a joint system called “Jiigoku-Gumi”, a traditional method used in Japanese wooden architecture (often observed on Shoji doors and room dividers where wooden strips come together to form a muntin grid).
While the two pieces normally intersect in two dimensions, here they are combined in 30 degrees and in 3 dimensions, which results in a structure resembling a cloud.
The building is located in middle of the residential area in Aoyama. Kengo Kuma and Associates say that the aim was to move away from the idea of a hard “concrete box” in favour of a softer form.
Type: Retail
Location: Omotesando, Tokyo, Japan
Completion date: end 2013
Kengo Kuma and Associates
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
XTRA celebrates the distinctive and unexpected work of Magis in their Singapore showroom.
Schneider Electric’s new range are making bulky outlets a thing of the past with the new UNICA X collection.
To honour Chef James Won’s appointment as Gaggenau’s first Malaysian Culinary Partner, we asked the gastronomic luminaire about parallels between Gaggenau’s ethos and his own practice, his multidimensional vision of Modern Malaysian – and how his early experiences of KFC’s accessible, bold flavours influenced his concept of fine dining.
In design, the concept of absence is particularly powerful – it’s the abundant potential of deliberate non-presence that amplifies the impact of what is. And it is this realm of sophisticated subtraction that Gaggenau’s Dishwasher 400 Series so generously – and quietly – occupies.
Set up by university friends, the Adelaide-based studio has grown to be a multifaceted, collaborative and artistic practice. We find out what makes them tick.
The internet never sleeps! Here's the stuff you might have missed
Commercial specification just got more circular thanks to some new finish options for some of Klaro’s most loved pieces.
Developed by an all-First Nations curatorial and creative team, the Australia Pavilion at the Venice Architecture Biennale has officially opened.