With fluid and embracing forms, the Coppel & Piekarski Family Disability Respite Centre is a responsive, accessible and sensitive building that reflects the client’s approach to caregiving.
Carers have some of the toughest roles in the community as they place the needs of others ahead of their own. The Coppel & Piekarski Family Disability Respite Centre in Caulfield, Victoria, provides short-term accommodation and care for children and adults with varying disabilities while allowing carers to have essential time out. Designed by Jackson Clements Burrows Architects (JCBA) for Jewish Care Victoria, the Respite Centre is a responsive, accessible and sensitive building representative of the client’s de-institutionalised approach to caregiving.
“Jewish Care Victoria welcomed and encouraged an architectural approach that re-imagined the care-facility typology, and they sought a domesticity that was seen as an extension of a guest’s home,” says JCBA Project Architect Rob Majcen.
The Respite Centre is located on a single residential block and JCBA’s approach carefully considered the relationships between private space, public space and operational space. The building provides a facility for children, providing a supportive environment for them to develop confidence and friendships, and a facility for adults with opportunities designed to help them progress towards more independent living. Each is equipped to accommodate up to five users with individual bedrooms, communal living and cooking spaces and passive and active outdoor space. A community hub is for larger social functions.
The scale, mass, composition and brick façade of the centre is designed to suit its residential surroundings, while invoking a sense of discovery and de-institutionalising space. “The building form is fluid and sinuous, reflecting a whimsical approach that is contrary to the standard topology of such a facility,” Rob explains.
As the accommodation wings flow around the carved-out courtyards, gardens and playgrounds they maximise the interrelationship between internal and external areas, and allow for access from the living and cooking spaces. Each courtyard is designed to facilitate passive design principles, taking advantage of the northern aspect, cross-flow ventilation and thermal mass. Abstract canopies referenced the Star of David, and provide shade, protection and structures that can be adorned for Jewish festivals and celebrations.
Inside, the selection of bricks – smooth, colourful glazes contrasted with coarse, cream blocks – is a pragmatic response to the longevity of the facility while also providing texture and colour to define different spaces and sensory experiences. Polished concrete floors, coloured carpets and plasterboard ceilings provide an internal environment that has high acoustic performance and durability.
As caregiving is about collaboration, so too was the process of designing the Respite Centre as the JCBA team involved users’ families in discussions early on. “The result is a purpose-built and joyous centre that over time becomes an extension of users’ home,” Rob says.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Davenport Campbell’s Neill Johanson argues that, in a hybrid era, the office is no longer justified by attendance alone.
Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.
The internet never sleeps! Here's the stuff you might have missed
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.