Greg Natale is working on a retail fit out for Australian-owned, Gorgeous Cosmetics, at the Market Street David Jones location. The 20-m2 freestanding makeup store is expected to be completed by the end of March.
August 18th, 2009
Greg Natale is working on a retail fit out for Australian-owned, Gorgeous Cosmetics, at the Market Street David Jones location. The 20-m2 freestanding makeup store is expected to be completed by the end of March.
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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
A collaboration between PTW and LAVA has transformed the lobby of the old Sydney Water Board building into a organically shaped display suite that pairs nature with technology.
Jasmax merges with Melbourne’s Canvas Projects to expand in Australia, following its 2022 Sydney launch and targeting Victoria’s public sector.
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Adelaide Design Week returns in October 2026 with the theme every*one, inviting designers, makers, studios, collectives and creative thinkers to submit expressions of interest.
Drawing at a young age gave Angelene Chan an appreciation for architecture and provided the impetus to propel her to the top of her profession.
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.