Historic Tasmania continues to reposition itself on Australia’s design and architecture landscape.
July 11th, 2013
Ten minutes drive north of Hobart, Tasmania’s capital, you will find GASP! – a remarkable, forward-thinking initiative that sits at odds with most people’s out-dated, parochial impressions of the island state.

GASP! is an abbreviation for Glenorchy Art and Sculpture Park – a state, federal and locally funded public space, stage two of which was opened to the public last month.

At the heart of the $8M development is a striking pavilion by Tasmanian firm Room 11; reaching boldly from the Elwick Bay foreshore the contemporary structure is cantilevered over the Derwent River.

“It is composed of architecture that responds to the scale of the surrounding landform. Blunt forms frame and command the superlative Tasmanian landscape,” explains the team at Room 11.

Room 11’s philosophy is to design with a social and ecological conscience whilst delivering environmentally responsible projects.

Stage Two consists of approximately 800m of new paths and landscaping including a constructed wetland with the new pavilion at Wilkinson’s Point housing toilet and rest facilities.

Only a stone’s throw from the successful MONA gallery, GASP! continue the social and arts focus that now defines much of the State’s tourism drive.

Room 11
Images © Ben Hosking
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.
A longstanding partnership turns a historic city into a hub for emerging talent
London-based design duo Raw Edges have joined forces with Established & Sons and Tongue & Groove to introduce Wall to Wall – a hand-stained, “living collection” that transforms parquet flooring into a canvas of colour, pattern, and possibility.
Deka’s latest series focuses on natural resources and sustainability. Each piece differs slightly materials depending on the raw material selected.
The internet never sleeps! Here's the stuff you might have missed
In this comment piece, COX Principal David Holm reflects on Carlo Ratti’s curatorship in which climate, colonisation and gender equity took centre stage at the Venice Biennale.
Adam Markowitz Design, in collaboration with Simeon Dux, has been awarded The Object at the INDE.Awards 2025. Their winning project, A Cabinet of Curiosities, is a masterwork of craftsmanship and adaptability; a poetic response to shifting domestic and professional life in the post-COVID era.
BVN’s Sirius Redevelopment has been named one of two joint winners of The Building category at the INDE.Awards 2025. Celebrated alongside Central Station by Woods Bagot and John McAslan + Partners, the project reimagines an iconic Brutalist landmark through a design approach that retains heritage while creating a vibrant, sustainable future for Sydney.