Artists from around the world were invited to submit computer-generated imagery of ’awe-inspiring fusions’ of architecture and landscapes, with an emphasis on imagination and artistic expression.
May 14th, 2008
The winner of the latest NVArt digital art challenge, the second in a series of worldwide art competitions, has been announced. The theme was ’Art Space: Architecture and Landscape.’
The first place award went to digital artist, Staszek Marek, of Poland for ’Complex at the Centre of the Universe’ (pictured above). Second place was awarded to ’The Great Bayan’ by Sergey Skachkov from Russia and third place was taken by Andrew Barton, of Great Britain for ’Mega Village, 2108’.
"We invited artists to stand on the shoulders of giants like architect Frank Gehry and gaze into the far reaches of their imaginations", said Mark Snoswell, president of CGSociety, a global organisation for digital artists.
"Our artists have created wonderful places that are pure art, where one can wake each day to marvel at the play of light through fantastical spaces and at vibrant fusions of light, color, and texture."
Selected NVArt award winners will be on display at NVISION 08, the premier event for visual computing professionals and enthusiasts, on August 25-27, 2008 in San Jose, California.
The first place award went to digital artist, Staszek Marek, of Poland for ’Complex at the Centre of the Universe’.
2nd place, ’The Great Bayan’ by Sergey Skachkov of Russia.

3rd Place, Andrew Barton, of Great Britain for ’Mega Village, 2108’.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Focusing on the company’s recent move from Surry Hills to Alexandria, the cover for the DQ#56 was a creative exploration of the Living Edge brand, resulting in a dynamic, imaginatively illustrated image. We go behind the scenes to speak with DQ Editor, Sophia Watson, about the process of conceptualising and executing the final cover.
The internet never sleeps! Here's the stuff you might have missed
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.
As a significant renewal of an established social housing project, JPW’s recently completed Cowper Street Housing in Glebe, Sydney aims to bring sustainable and community-focused density to an inner city suburb.