True or false: it’s possible to design and execute a contemporary office fitout that is equal parts thrifty, sustainable and stylish?
February 18th, 2021
‘Waste not, want not’ materiality and a modest stature are the defining qualities of the recently redesigned Asaleo Office in Melbourne, belying the client’s uncompromisingly ambitious project brief.

Headquartered in Melbourne, Asaleo is an Australian manufacturing company with a product range centred around forestry products. Contrary to the industrial conduct you’d expect of your typical manufacturer, Asaleo is founded upon a workplace culture that values people, innovation and public shareholder interest above all else — making triple bottom line sustainability a critical measure of success for the company’s recent office fitout project.
At the receiving end of the fitout brief — not to mention the strict budget constraints that came with — was Melbourne-based architecture practice, Splinter Society. Needless to say, the designers had their work cut out for them from the project’s outset; to execute an entire workplace redesign culminating in a sustainable office with inimitable style — and to do so on a tight budget — would be no small feat.


Splinter Society responded with a mindset in favour of adaptive reuse, carrying it through to even the most material details. Through an extensive exercise in cataloguing and repurposing most materials and FF&E from the original 30-year-old office — including desks, partitions, storage, furniture, glazed walls, ceiling finishes, carpet and doors — were reused and rearranged in a more contemporary open-plan model of working, with clusters formed for teams and privacy.
It was decided to create an open and inviting reception/coffee lounge at the front of the building that connects the factory staff with the office staff. This was designed with a stripped-back finish, exposing, off-form concrete ceilings, columns and flooring for effect. Where new items were constructed, there was significant use of existing cardboard tubes, a by-product of their manufacturing process, which became fashioned into wall linings, screening devices and shelving units to display product.

“To add colour, we used 100% post-industrial recycled HDPE, custom mixed to suit the firm’s corporate colours, as a joinery material in the front area,” Splinter Society explains. “This product from Replas is fantastic and closes the loop on some of the waste products that come out of the factory.”
The addition of timber came about during the fitout process as a means to draw colour and warmth to the spaces, expressed via furniture, partitions and joinery where required. It was decided to use OSB which is a wood chipped product that utilises softwood waste products from the pine plantation industry. This sustainable solution has the added value of subtly forging an eloquent link back to the product Asaleo creates.

INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Blending versatile cooking with smart performance, Bosch AccentLine appliances bring a quieter sense of order and simplicity to the modern kitchen.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
Returning to Melbourne this month, Australia’s official Passivhaus conference THRIVE turns its attention to the commercial case for high-performance building.
FK hosted a standout Melbourne Design Week event with a panel on adaptive reuse and renewable real estate at 500 Bourke, featuring previous contributor Nicky Drobis and our editor as moderator.
The internet never sleeps! Here's the stuff you might have missed
The decision isn’t really about budget. It comes down to who designs the kitchen, who builds it, and whether those are the same people installing it in your home.
Melbourne-based architect and object maker Adam Markowitz blurs the line between design and craft, bringing a deeply considered, material-led approach to his work. As both a practising architect and furniture designer, Markowitz explores how objects can respond to space, light and human use.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.