A variety of non-domestic, but yet familiar and functional forms of lighting inspired Sylvain Willenz’s design.
February 3rd, 2010
Torch Light, owes elements of its form to the typical torch and the car headlight. PVC dipped polymer gives a tactile finish, referencing the handheld nature of a torch, whilst light shines through a clear, diamond textured polycarbonate diffuser (akin to the textured glass of a car headlight) creating an ambient light.
Best in Lighting,
Elle Decoration International Design Awards, 2009
Grand Designs Best in Lighting Designs 2009
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True luxury strikes a balance between glamorous aesthetics and tactile pleasure, creating spaces rich in sensory delights to enhance the experience of daily life.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Healthy office spaces don’t need to be bland, style-free boxes, as Staron Surface Solutions proves.
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In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
While in Sydney, RIBA Royal Gold Medal-winner Níall McLaughlin has been announced as the design firm for the first Roman Catholic cathedral in Australia in over a century.