Tanya dinning chair and low back stool. Environmentally friendly australian design. Manufactured using reconstituted veneer with a water based finish. Stackable with a bright chrome frame. Dimensions: 560l x 515w x 790h 450 seat height Applications: Indoor hospitality and commercial Variations: Choose from variety of veneers Finish: Various stains available
November 21st, 2008
Tanya dinning chair and low back stool. Environmentally friendly australian design. Manufactured using reconstituted veneer with a water based finish. Stackable with a bright chrome frame.
Dimensions: 560l x 515w x 790h 450 seat height
Applications: Indoor hospitality and commercial
Variations: Choose from variety of veneers
Finish: Various stains available
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The undeniable thread connecting Herman Miller and Knoll’s design legacies across the decades now finds its profound physical embodiment at MillerKnoll’s new Design Yard Archives.
For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.
Both fresh produce and design are reassuringly ‘green’ at Shanghai’s newest organic restaurant. Andrea Fenn explores the A00 designed interior
Property value, connection and tax exemptions headline a list of reasons why Australians are moving back into the family home, but will it continue?
The internet never sleeps! Here's the stuff you might have missed
Emily Moss, Brooke Lloyd, Juliette Arent Squadrito and Alexandra Ramundi joined Alice Blackwood at Living Edge’s stunning showroom to discuss a milestone approach to design.
Trent Jansen’s first Sydney solo exhibition in years celebrates the poetry and stories that grow from collaborative making as well as the importance of co-creation.
Despite its long and rich history, signwriting is a profession in decline. Will Lynes’ new show, Oily Water at Canberra Glassworks, aims to showcase the techniques of the trade to highlight its potential in design.