The acquisition is expected to drive strong social growth for Viccarbe, a Spanish designer of contemporary furniture for high-performance collaborative and social spaces.
November 12th, 2021
For over a century, Steelcase has helped people have better experiences at work through its extensive portfolio of architecture, furniture and technology products. In order to provide solutions for the changing and emerging needs, the global company partners with other leading brands to enrich its portfolio.

White trestle table by John Pawson with colourful season chairs by Piero Lissoni
Following its exclusive partnerships with Danish furniture brand Wendelbo and Singaporean home-grown player Commune earlier this year, Steelcase most recently acquired Viccarbe to strengthen its offerings in the ancillary space, and to provide the widest range of aesthetic choices and price points in the industry.
Apart from a more diverse range of products, customers will also have easier access to Viccarbe’s collections through Steelcase’s extensive network across the globe. With that being the case, Allan Smith, senior vice president and chief revenue officer at Steelcase expects to more than double the sales of the Viccarbe portfolio within three years.

Aleta low chair and table by Jaime Hayon
Given Viccarbe’s track record of creating social and collaborative furnishings that consider the relationship between posture, privacy, proximity and personality to design spaces, Steelcase is confident that they will be commercially successful products that support new ways of working.
Viccarbe’s heritage and Spanish roots are a key part of its design story and brand positioning. “We inspire Mediterranean experiences in collaborative spaces through the creation of warm and timeless pieces,” says Victor Carrasco, founder of Viccarbe.

Burin table by Patricia Urquiola and Aleta chairs
“The Viccarbe collection is the result of years of work in partnership with the most prestigious international designers [such as Jean-Marie Massaud, John Pawson, Piero Lissoni and Patricia Urquiola]. My dream has long been to expand our reach and impact in the world, and we are excited to achieve this together with Steelcase.”
This acquisition that builds on more than ten years of successful partnership between Viccarbe and Steelcase, says Samantha Giam, director of product marketing, Steelcase Asia Pacific, “is another initiative to help organisations create high-performance setups that bring their teams together, as we know the purpose of the workplace has changed and employees are returning to the ‘office’ to not just ‘get things done’ but to collaborate, ideate and socialise.”

Brix armchairs by Kensaku Oshiro
Steelcase
steelcase.com
Viccarbe
viccarbe.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
A recent gathering hosted by Wilkhahn brought designers together to discuss flexibility, technology and the changing role of the workplace.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The internet never sleeps! Here's the stuff you might have missed
When Italian furniture maker, Pedrali partnered with design studio, Formafantasma, the collaboration was always going to result in something both elevated and imbued with impeccable detail and flair.
Suzhou MixC World draws on the city’s historic streets and gardens to create a retail precinct that feels less like a shopping centre and more like an extension of the public realm.
At dedece Sydney, Anna Lenti introduced the Chromatic Alphabet, a new design tool intended to make architects and designers less hesitant about working with colour.
Shortlisted in the 2026 INDE.Awards are a plethora of projects from Singapore and the Singapore Institute of Architects’ members. We celebrate the talent that resides in this country, as we showcase design that crosses borders and resonates in our Indo-Pacific region.