The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

Fukasawa Focuses on Fluid Forms

Japanese designer Naoto Fukasawa has made a name for himself with his minimalist product designs.

Fukasawa Focuses on Fluid Forms


BY

December 2nd, 2009


His iconic wall-mounted CD player, designed for Muji in 1999, secured his status a groundbreaking contemporary designer.

The understated simplicity of his work has garnered him multiple accolades in the design industry, and his ‘Grande Papilio Chair’ launched in Milan this year for B&B Italia is set to be as iconic as his previous designs.

The ultimate in relaxation comes in its signature throne-like form, which morphs and moulds to the anatomy with a fluid design carved out of the truck of an upside down cone.

The piece is covered by a single piece of fabric, removable thanks to the large metallic zip running down the chair’s back and available with an ottoman.

Referring to the spreading of the wings of the ‘Papilio’ – the butterfly shape is the result of an astute consideration by Fukasawa of how we relax, twisting to the left or fight, not remaining rigidly upright.


The ‘Grande Papilio’ by Naoto Fukasawa for B&B Italia, available exclusively from Space Furniture

(61 3) 9426 3000

grande papilio

grande papilio naoto

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

Alex Bain on finding his anchor in Herman Miller’s Aeron Chair

In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed