In reverence to the beauty of the female ritual, the Alice Spring-based designer draws on her experience travelling across Central Australia to take the top place in the Australian Furniture Design Awards.
‘Place’ from Elliat Rich is a dainty oddity. Finely resolved timber pieces in soft stained colours fit together as a handcrafted jigsaw puzzle. Each segment scrutinised by hand to hook-in and intertwine into the greater body of the piece.
Held up to the judging panel, Place won Elliat first prize in the Australian Furniture Design Awards (AFDA) 2017. The awards are hosted by Adelaide not-for-profit design studio JamFactory and Australian-founded luxury furniture retailer Stylecraft. And together, they divulge the glorious minds of Australia’s far-reaching design community.
Based in Alice Spring, Elliat drew on her experience driving across the enduring Central Australian landscape in the creation of Place. The judging panel, consisting of JamFactory Creative Director, Jon Goulder; Stylecraft Brand Director, Tony Russell; Curator of Decorative Arts with the Art Gallery of South Australia, Rebecca Evans; Habitus Guest Feature Editor and Design Editor for the Australian Financial Review, Stephen Todd; and Practice Director for Carr Design Group, Susan Standring, were impressed by the conceptual foundation that supported Elliat’s work.
Described as a “sculptural vanity”, Place is an old-fashioned object d’art that evokes the grace and joy of the female ritual. The piece consists of a concealed drawer, formed out of stacked and coloured dowel, which creates a graphic confetti-style collage from the front view. Place also features a curvaceous, and removable, storage unit and velvet-covered pivoting mirror, all perched atop light timber legs.
“AFDA is an award with a huge amount of integrity and one that stands alone in the Australian design industry,” says Elliat. “I am really excited that this is just the beginning of such an amazing opportunity that will continue to roll out over the next few years and beyond.”
Elliat received a cash reward of $20,000 as well as the opportunity to undertake a residency in JamFactory’s furniture studio. Here Elliat will be able to develop new work to go into production for Stylecraft throughout Australia and Singapore. Further, Place will be on show as a part of the Art Gallery of South Australia’s permanent collection.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Australian Design takes centre stage at the World Architecture Festival
London-based Woods Bagot CEO and Indesign Luminary Nik Karalis is still that curious boy from South Australia – always looking to qualify his understanding of design’s purpose and intent, and ultimately, search for its meaning in the most unlikely of places.
The internet never sleeps! Here's the stuff you might have missed
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
Drawing at a young age gave Angelene Chan an appreciation for architecture and provided the impetus to propel her to the top of her profession.