The Eames moulded lounge chair has been given a fresh new look with the introduction of new colours. The colours are a dramatic update for an enduringly popular chair first produced in 1945 and named by Time magazine in 1999 as the Design of the Century. The colourful palette for the lounge chair with wooden […]
November 21st, 2008
The Eames moulded lounge chair has been given a fresh new look with the introduction of new colours. The colours are a dramatic update for an enduringly popular chair first produced in 1945 and named by Time magazine in 1999 as the Design of the Century.
The colourful palette for the lounge chair with wooden legs (LCW) initially includes yellow, light blue, and white, with green, orange, black, and red aniline stains added later. Herman Miller collaborated with the Eames Office to select appropriate colours to apply to the design. Colours were chosen from the palate used by Charles and Ray Eames for the Eames Hang-It-All and Eames Storage Unit and from Eames’ contemporary and friend, Alexander Girard’s textile designs.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
The internet never sleeps! Here's the stuff you might have missed
Fred Holt, Catherine Skinner and Louise Pearson join Timothy Alouani-Roby at The Commons to discuss Sydney’s new fish market just weeks after its grand opening.
The final tower in R.Corporation’s R.Iconic precinct demonstrates how density can create connection — through a 20-metre void, one-acre rooftop and nine years of learning what makes vertical neighbourhoods work.