BOMBALA Seating Range

October 9th, 2009

The ‘Bombala’ seating range is the result of several years’ research and development by designer, Ross Didier.

Engineered with a reverse cantilevered frame, ‘Bombala’ represents extremely comfortable seating and striking looks and appeal.

Didier explains that ‘Bombala’ was originally inspired by Miles van de Rohe’s Barcelona chair. “My intention was to reinterpret this 1928 design to embody new, unique character with a more contemporary aesthetic, and for outdoor use,” he says.

The reverse cantilever design has been specially reinforced, allowing flexibility and comfort in the structure, while tapered angles in the form make ready for upholstery options .

The seating is hand-fabricated in mild steel with the utmost attention to detail, so that the seating surface and welded junctions in the tubing blend perfectly. The metal is first treated and then coated in a choice of 10 premium-grade polyester colours – for both indoor and outdoor specifications.

The ‘Bombala’ range also includes a matching four-leg stackable table chair, and Didier will soon follow with a range of upholstery cushions to complement the entire range.

To find out more about ‘Bombala’ and Ross Didier’s other products, visit rossdidier.com

INDESIGN is on instagram

Follow @indesignlive

Craftsmanship meets calm with Gaggenau at Woollahra Village House

In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.

Richard Tipping, Hearth

Australian Galleries Smith Street is delighted to present Hearth, an exhibition of recent work by renowned artist and writer Richard Tipping. The interplay of text and material is central to the practice of Richard Tipping, who describes himself as a poet who works in the art world. Tipping’s word works develop from an interest in extending the visual boundaries of language and convey his desire to create “textual objects which have the heft and dimensionality of sculpture”