Launching their new Materials in Touch collection, Desso have brought a new meaning to textile design.
November 12th, 2013
The Materials in the new Touch collection have been developed to create unique sensory experiences within interior spaces. By designing tactile, materially rich qualities both in look and feel, the floor becomes an engaging piece of architecture, connecting to its user on a more human level.
Tweed Range.
The textured carpet tile collection has been designed to engage the senses with a modern and strikingly structured composition. The mix of different structures in the collection enables customers to add materiality and personal expression to a room.
Ribble Range.
The Materials in Touch collection also reflects Desso’s continued drive to make environmentally responsible flooring products with beautiful and engaging design for spaces that help boost people’s health and wellbeing.
Trace Range.
Intrinsic to this notion is Desso’s Cradle to Cradle® approach, which promotes a circular economy – whereby new products are made of materials which are designed to be disassembled and can be safely recycled.
Essence Structure.
Frisk Range.
Desso
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Authentic Design Alliance’s next event will be held during Unlimited: Designing for the Asia Pacific, from 4 until 10 October. You’re invited to dine and discuss the downfalls of replica design with some of the industry’s leading designers and thinkers. Head to the Unlimited: Designing for the Asia Pacific website to register.
Creating a sensory dining experience that fuses Japanese and Australian culture – rather than a “mock tradition” – Ishizuka by Russell & George transports diners while keeping their feet on the ground.
The correct temperature determines the taste of the wine and thus you’re drinking pleasure. Multi zone wine cellars can feature anywhere up to five different temperature zones allowing red wine, white wine and even champagnes to be served at their correct drinking temperatures. The WTEes2053 features two temperature zones with the ability to set the […]
The internet never sleeps! Here's the stuff you might have missed
M Moser Associates has reimagined DuPont’s Shanghai R&D Centre as a network of connected neighbourhoods, using local references and workplace strategy to support collaboration, flexibility and future growth.
At Machine Hall, Herman Miller gathered Sydney’s design community to consider performance seating as part of workplace strategy, not just workplace furniture.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.