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G8A’s Manuel Der Hagopian believes in public housing

Manuel Der Hagopian of G8A believes that public housing is necessary to maintain social balance. And he says good architecture which serves people is borne of a deep understanding of time and place.

G8A’s Manuel Der Hagopian believes in public housing

Manuel Der Hagopian, photography by Regis Golay.

Be it proposing new HDB typologies in Singapore or advocating for public housing in Vietnam, Swiss architect Manuel Der Hagopian believes that one must first live like a local in order to create meaningful architecture for the people.

For him, operating from the ground up is the best way to effect change. He spent the last 15 years in Vietnam where he organised HANOI TALKS, which gathers various creative specialists to present insights on architectural practice. His Singapore office in Tiong Bahru, TB80 Space, doubles as an exhibition and events space that drives intimate architectural discourse and cultural exchange.

G8A’s Singapore office doubles as an exhibition and events space, photography by Khoogj.

Shortly after graduating from architectural school, Der Hagopian and a group of friends formed the architectural collective group8. Sharing ideas and resources, they worked collaboratively and independently on competitions and built projects, making a name for themselves in Switzerland.

Over time, Der Hagopian and fellow member Grégoire Du Pasquier felt limited by Switzerland’s stringent building codes that left little room for creative intervention. In 2007, they set up group8asia halfway across the world in Hanoi, Vietnam, while retaining their positions in the collective.

“You can say that Hanoi is the anti-Geneva,” says Der Hagopian. In terms of density, scale, climate and governance, Vietnam exists on the other extreme of Switzerland, which made it difficult at the beginning.

Things started to change in 2009, when they were awarded Punggol Waterway Terraces in Singapore, becoming the first foreign firm – out of hundreds of firms – to work on a Housing Development Board (HDB) project.

The Bamboo housing project in Geneva speaks to its direct surroundings. The facade’s palette of green colours aims to echo the ‘green urban freeway’ and the future school that will take its place in the park next to it, photography by Patrick Bingham-Hall.

“In Singapore, we have been able to find a middle ground,” he says. Operating across the three countries form an interesting ‘triangular situation’, whereby lessons from each country inform one another in a constant dialogue.

With Swiss precision as its foundation, the team approaches architecture with a deep awareness of context from various lenses, be it historical, social or political. As Punggol Waterway Terraces was an SG50 project, it was about creating an icon that embraces past achievements while looking towards the future.

They studied the early Singapore Improvement Trust’s (the predecessor of HDB) modernist buildings erected in the 70s and found that passive cooling strategies were often incorporated, making public housing feel more open. As Singapore became more affluent towards the 21st century, coupled with the advent of airconditioning, public housing became more closed-up and generic.

Set upon linked hexagonal plans, the ‘arms’ of the Puggong Waterway Terraces’ blocks step down to the waterway as terraces, so all the residents have a direct experiential connection with the landscape and with their neighbourhood, photography by Darren Soh.

Punggol Waterway Terraces brings back the allure of past megastructures with passive climate control measures, linked hexagonal cores and cascading elevation that resembles rice fields. Playing on horizontal density rather than verticality, the buildings feature lengthy and connecting corridors that make space within the estate for defined landscapes – without sacrificing housing units.

“I had observed that horizontality brings more community-building potential than verticality,” says Der Hagopian.

Despite the high density, promoting social cohesion is at the heart of the Swiss architect’s intent. “In Switzerland, you can’t see the difference between public and private housing when you are on the streets,” he shares.

This quality is eminent with Punggol Waterway Terraces, which does not look or feel like the conventional HDB. He hopes to do more of that in Singapore – blur the lines between the public and private.

While sustainability, practicality and community are common considerations for G8A, the practice strives to bring a ‘magical’ quality to architecture. GreenRidges in Tampines North features a back to basic structure but it is no less striking.

The ingenuity lies in the details. Lush green canyons and the disappearing multi-storey car park – hidden beneath environmental decks.

GreenRidges is conceived as a slice of nature nestled within the urban fabric of Singapore with its Greenery network and social spaces linking the upper Environmental Deck and the Green Canyon area at ground level.

Elevated two levels above ground, the environment decks are filled with plants and trees that trace the lengths of the buildings rather than act as fillers in random space pockets, providing pleasant common areas that invite relaxation. Natural air circulates from the semi-basement car park and in-between buildings.

While most architects dream of designing museums, Der Hagopian has been passionate about public housing since his first year in architecture school. The challenge lies in being frugal with state resources while providing for the middle class, which makes up the majority of society.

The freedom of choice for people is enticing for him. “You give potential and people will take it and make it theirs,” he says.

For a while now, the firm has been interested in the history and design of quality public housing in Vietnam and is looking forward to being involve in this central question.

“The state needs to recognise the need for public housing to maintain social balance, now the challenge is to implement the mechanisms to make it happen,” he says, hoping to make leeway through research labs and archival projects. “You need to go deep to change the system. I don’t think you can change the system from the outside,” he says.


Photography by Darren Soh.
Photography by Patrick Bingham-Hall.
Photography by Patrick Bingham-Hall.

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