Thonet created an installation of their own at Lightspace, using their beautiful range of classic and iconic chairs.
October 9th, 2008



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In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
What would a workplace furniture trade show be without a deep dive into the latest innovations in task chairs? We take a look at the latest releases in Cologne.
Zoie is ancient Greek for “life”, this new model marrying light and life in one interior planter design
Recently in Australia as plans for the first new cathedral in over a century in Sydney were announced, Níall McLaughlin met Timothy Alouani-Roby during his visit to discuss community, tradition, inspiration and the history of architecture.
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The Melbourne-based, not-for-profit practice has designed a new fit-out and outdoor gathering space for the Victorian Aboriginal Healthcare Service.
As Saturday Indesign prepares to return to Sydney this September, architects, designers and exhibitors reflect on what has kept the event relevant for more than two decades.
With the launch of the Humanscale M/Class Monitor Arms, Humanscale proposes a different direction: one where workplace technology recedes into the background, allowing movement, posture and spatial clarity precedence.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.