On the 20th of March, SJB Interiors celebrated 20 years at the recently completed L’Hotel Gitan in Melbourne. Here are the pictures from the evening.
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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
The colours, textures and profiles of Nepal inspired the design of Chilli Everest, creating a sensory and appealing experience for customers.
A major exhibition examines the link between Harry Seidler’s architecture and the artists he loved. Words by Stephen Lacey.
‘Cutting edge’ is not usually a phrase coined for salon design, but when Nickolas Gurtler Interior Design was engaged to create a transformative space for Cole Hair Studio in Double Bay, Sydney, it was the perfect opportunity to dial up the glamour.
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Designed to be touched, picked up and played with, ‘New/Relic’ was a Melbourne Design Week exhibition of every fixture you’ve never thought about twice.
Aeron Chair’s new shades, Nightfall and Jasper, arrive with a sense of quiet cohesion – no bells and whistles, no loud technicolour; just two timeless, perfectly versatile near-neutrals. But the new hues aren’t just about colour – and their significance is much more profound than their surface-level subtlety might suggest.