Zenith partied Latino-style in December last year when they launched their Rumba workstation and other new product lines – including designs from Sean Dix, Keith Melbourne and Buzzispace – in Adelaide and Perth. Brazilian dancers and live bands entertained the crowds, even prompting a Conga line through the Adelaide showroom!
February 7th, 2012
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The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Spaces are getting snapped up fast for Melbourne Indesign 2016’s WorkLife Seminar Series. Reserve yourself a space now to see what the future of A+D is going to look like.
Six major Australian labels, two buildings, one unified workplace… how does it work? Heidi Smith of Gray Puksand gives us the scoop on David Jones’ and Country Road Group’s stylish new Melbourne headquarters.
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