Sydney
February 14th, 2008
































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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
DesignOffice’s latest project, Mastani, is a retail experience that creates the perfect environment for the serious shopper.
Celebrating 130 years of continuous architectural practice through four generations, Hamilton Wilson traces back the influences that have shaped Wilson Architects design approach: “…to me, Architecture and Landscape Architecture are inseparable.”
The internet never sleeps! Here's the stuff you might have missed
Led by SJB, Newcastle Quay is imagined as a mixed-use waterfront precinct where housing, hospitality, public space and heritage work together to reconnect Newcastle with its harbour.
On the occasion of Salone del Mobile 2026, the Opale collection designed by Patrick Jouin for Pedrali expands with two new iterations: a chair and a barstool with armrests.
Adelaide Design Week returns in October 2026 with the theme every*one, inviting designers, makers, studios, collectives and creative thinkers to submit expressions of interest.
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.