Two of Australia’s most exciting multi-media artists gave insights into their world and how light is used in their artistic expression at Objective:Light in Sydney last Wednesday.
October 22nd, 2010
Over 200 guests crammed the Chapel at the Greenwood to enjoy a night of food, drinks and interesting discussion.
Ruth Allen is a glass artist who talked about her art forms and the methods she utilises to create her works.
Kit Webster is an audio visual artist working primarily with technology, projection and sound to create experiences within both galleries and public forums. Both Ruth and Kit’s works were captivating.
Objective:Light
objective.light@gmail.com







INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Add whimsy to your floor with Cubic Colours. A dazzling selection of 16 colours that range from bold primaries to candy coated pastels. For a floor that needs to make a statement nothing catches the eye quite like Cubic Colours. I2’s revolutionary mergeable dye lots design can be selectively replaced, even years later without looking […]
As 2026 gathers pace, Davenport Campbell Principal Neill Johanson argues that the people-place-process nexus in workplace design just won’t cut it any longer.
The internet never sleeps! Here's the stuff you might have missed
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
J.AR OFFICE’s hospitality venue in Brisbane strives to create a small oasis of shade and greenery amidst the concrete jungle of the city. Jared Webb tells us more.
In this interview, Michael Leeton reflects on his philosophy of placemaking, connection to landscape and the importance of designing homes that balance intimacy with scale, using his award-winning project House on a Hill as a central reference point.