Marking the 20th anniversary of his Powerhouse Museum exhibition ‘Design Works’, Marc Newson reflects with creative director Stephen Todd on his archive of iconic designs and why his deep fascination with how things work drives him to create the impossible.
September 22nd, 2021
Fixated on detail and fascinated with “creating impossible things”, Marc Newson has a history of conceiving intricate, nuanced and intriguing work. In a recent Sydney Design Week talk with the Powerhouse Museum’s creative director Stephen Todd, Newson delved into his passion for exploring new techniques and the way things work.
Lockheed Lounge
Newson’s iconic Lockheed lounge, for example, was “the culmination of a series of technical challenges,” that Newson set for himself. “A lot of the work that I did – and still do to an extent – was about learning how to do things. Setting tasks for myself, mostly technical tasks, and learning how to accomplish them and in the process learning about materials, processes and techniques,” says Newson.
Lockheed Lounge
Similarly, Newson’s Atmos Clock for Jaeger-LeCoultre was a result of his interest in watch micro mechanisms – like “little micro-universes that sit on your wrist”.
The challenges that Newson sets himself have become increasingly complex over the years. Newson began experimenting with cloisonné for his 2019 exhibition at the Gagosian, a process of creating tiny copper barriers, soldering them onto a substrate and filling them with enamel, so that the copper acts as barriers between the different enamel colours, before being fired in a kiln. The process originated in Beijing centuries ago and is incredibly complex and time consuming, with each enamel colour requiring different kiln temperatures meaning each piece may have to be fired many times.
Cloisonné Black Blossom Lounge
“I always loved creating impossible things,” says Newson. “So in Beijing we had to create these kilns and make these objects and it took years to figure out how to do it. They’d never made objects this big or complex before.”
Similarly, Newson had to travel to Czechoslovakia to cast large glass objects for the exhibition, as it was the only place in the world to cast glass at that scale.
“I was always fascinated in using glass but I had never seen it done really nicely to be quite honest with you,” says Newson. “I, like a lot of people, found glass art to be fairly cringeworthy, even dating back to my days in art school, but it always fascinated me as a material. I wanted to exploit some of these techniques on a much larger scale.”
It was in Czechoslovakia that Newson created a range of desks and consoles using Murrina Tecnica, an Italian glass technique that has generally only been used to create decorative bowls, plates and vases.
What’s Newson working on now? An awful lot, as it turns out. Currently, Newson is trying his hand in the naval architecture and marine industry, a few projects which he says are “very, very ambitious”. His Quobus exhibition launched at Galerie Kreo in London just last week, a collection of sculptural steel and enamel shelves that reference shop designs he created for book publisher Taschen.
Newson’s fascination with how things work, he says, “comes from deep inside me”. “I just have a really fundamental fascination with how things work and it goes hand in hand with the fact that I’m a designer.”
The Powerhouse Museum is home to the most extensive collection of work by Newson. Watch the full talk with Stephen Todd and Marc Newson here.
Marc Newson
Marc-newson.com
The Powerhouse Museum
maas.museum
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Schneider Electric’s new range are making bulky outlets a thing of the past with the new UNICA X collection.
XTRA celebrates the distinctive and unexpected work of Magis in their Singapore showroom.
Within the intimate confines of compact living, where space is at a premium, efficiency is critical and dining out often trumps home cooking, Gaggenau’s 400 Series Culinary Drawer proves that limited space can, in fact, unlock unlimited culinary possibilities.
In design, the concept of absence is particularly powerful – it’s the abundant potential of deliberate non-presence that amplifies the impact of what is. And it is this realm of sophisticated subtraction that Gaggenau’s Dishwasher 400 Series so generously – and quietly – occupies.
Committed to the artful illumination of spaces, Volker Haug Studio amps up its well loved lighting collections with two new additions.
Vipoo has taken home the winning title in the biennale MAKE Award for Australian creatives. Learn who took home second prize and highly commended in what is Australia’s richest, non-acquisitive prize for craft and design in Australia.
The internet never sleeps! Here's the stuff you might have missed
It’s widely accepted that nature – the original, most accomplished design blueprint – cannot be improved upon. But the exclusive Crypton Leather range proves that it can undoubtedly be enhanced, augmented and extended, signalling a new era of limitless organic materiality.
The 2025 Sustainability Awards spotlight bold ideas and future-focused design that’s reshaping Australia’s built environment for the better.