All about Benjamin Hubert and his design agency, LAYER, this monograph provides candid insights into studio life, Hubert’s own life, and the projects that have put them on the global design map.

Benjamin Hubert
September 6th, 2022
Penned by design curator and commentator Max Fraser, LAYER reads like a personal message for the hopefuls – the next generation of the design curious. In the monograph’s foreword, Benjamin Hubert says he wished he saw the industry’s real side and honest insight before he began, and LAYER is that answer for those who are in that position.
LAYER is a monograph not only of Benjamin Hubert’s design agency, LAYER, but of his life and the creations he has brought to life. Filled cover to cover with behind the scenes workings, photos, sketches and inspiring prose, this upcoming monograph is not to be missed.
But at its core, Fraser tells an encompassing story of Hubert, his first studio, Benjamin Hubert Ltd, and of Hubert’s new, globally thriving agency, LAYER. Hubert says: “It’s been 12 years since I started my own studio and seven years since I founded LAYER – and it’s an honour to collaborate with Phaidon and Max Fraser to produce a monograph on the studio’s work to date.”

There’s a lot of heart with LAYER. It is both a narratively engaging monograph and informative extension of LAYER itself. Projects are discussed and uncovered while following Hubert’s steps. This charming balance between Hubert, LAYER, and the projects created – it is a clever dichotomy between man and studio, shown in refined detail.
The images chosen and laid out speak volumes of the thought that has gone into the publication. And through ample use of sketches and photography, these insights evoke introspection, and form a dialogue between reader and designer about various design processes.
The structure of the monograph takes it one step further. It is broken up into seven chapters, with each chapter representing every aspect of the studio’s themes: crafted, mindful, transformative, evocative, holistic, human and visionary.
Related: Benjamin Hubert’s recycled ex-military “drogue” parachutes

For example, chapter one, ‘crafted’, tells of Hubert’s childhood and making himself into the renowned designer he is today. While chapter six, ‘human’, explores LAYER’s formative years and the balance Hubert sought for products and services that could give a positive change to individuals and communities.
“It was a challenging yet rewarding process producing the book, and looking back on our work has given us the opportunity to consider the way we work now and in the future,” says Hubert.
“It also gave us insights into how our work has evolved and is a testament to the talent of the team and our creative partners over the years. LAYER remains a work in progress, but this book is an amazing moment to celebrate how far we have come.”
LAYER will launch during the London Design Festival later this month. LAYER will be available from the 22 September 2022. Not a page should be skipped.
LAYER
layerdesign.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.
At r.a.g.e Hot Glass Studio, the glass artist and furniture designer will trace the making of two sculptural wall sconces through live glassblowing, discussion and process-led collaboration.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
The internet never sleeps! Here's the stuff you might have missed
The official 2026 Sustainability Awards jury panel has been unveiled.
Craft, legacy, and American hardwoods converge in a collection that proves great design has no fixed address – one remarkable conversation across generations, geographies, and design traditions.