Putting together your INDE.Awards entry? We asked the Jury what advice they have for entrants. Put it to good use and hit the mark with your submission!
January 23rd, 2020
Entries to the INDE.Awards 2020 close on 21 February. We know you’re knuckling down on your submissions now, so we consulted members of our esteemed Jury for a few words of advice. You can thank us later.

“Entrants should emphasise the uniqueness of their projects and highlight the process embraced in reaching outcomes, especially client relationships and inside-out thinking which leads to successful and appropriate results.”

“It would be interesting to organise text and images into a narrative sequence to describe the intended experience of the project. It is also always more interesting to see how the spaces created are used by users.”

“Tailor your responses to the specific criteria and keep it brief. The shortest descriptions are most often the most insightful.”

“The diversity in where the projects come from makes reviewing them a big challenge. So I think it will useful to provide as much information to really understand the place of the project. In addition to knowing that the project has a high standard of quality, space and material, this will also show how the project is making a positive contribution towards the larger surrounding environment and culture.”

“Present a strong narrative that is concise and presents the key elements and intentions of the design, and it’s relationship with the users and surrounding context. Include beautiful photography that supports the narrative and shows the success of the design once complete – within its content, the execution and user satisfaction. And be selective. Less is more.”
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
The design community gathered at Zenith’s Sydney showroom to celebrate the 10th anniversary of the INDE.Awards and the official unveiling of the 2026 shortlist.
Presenting a sound and light event in Melbourne’s CBD, Autex Acoustics and DARKON showcased their exemplary products and raised the bar for better design.
The internet never sleeps! Here's the stuff you might have missed
Presented by Stormtech