Beer flowed freely at the Bavarian Beer Café on Thursday 25 November as Sydney’s lighting designers and special guests celebrated Novemberfest with ERCO.
December 3rd, 2010










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In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
It’s time to take a peek inside NEXTDC M2 designed by HDR, an altogether different approach for workplace interiors.
Mr Mitchell interior designers have created a whimsical office for tech-savvy client Blonde Robot, whose eccentric personality called for a workplace that is distinctly out of the ordinary. By Yen Dao.
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