Cult Design Asia has announced a new partnership with outdoor Australian furniture brand Tait. The complete Tait outdoor collection will now be available in Singapore and surrounding South East Asian regions through exclusive distribution by Cult Design Asia.
September 12th, 2018
The new partnership with Tait will extend the expansive offering of Cult Design Asia to encompass a strong collection of products suited to a wide range of markets including; corporate, landscape, hospitality, commercial, residential and more.
Established in Melbourne in 1992, Tait arose from the desire to create well-designed, well-made and mindfully produced outdoor products. Twenty-six years later, now with a number of iconic collections by some of Australia’s most influential design talent, Tait has built a reputation for its originality, longevity and functional design that enriches relationships with the outdoors.
Resistant to time and trends, Tait products are minimalist in form and honest in materiality. Built with high-performance materials, world-class manufacturing methods and uncompromising quality, Tait outdoor furniture is designed to last a lifetime and enhance beautiful moments made outside.
Over the past two years, Cult Design Asia has been positioned as the destination for premium Australian design and is now proud to welcome Tait to its portfolio in the region alongside influential Australian furniture brand NAU. Together, the Tait and NAU collections represent a legion of Australia’s most prominent designers including Adam Goodrum, Ross Gardam and Adam Cornish.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Founded by Richard Munao in 2017, NAU’s presentation at 3daysofdesign builds on decades of groundwork by Cult and marks a confident moment for Australian design overseas.
With a plethora of talks, installations, exhibitions and happenings responding to this year’s theme (Design The World You Want), the eleven-day festival was the largest to date and arguably the most accomplished since inception.
From indoor-outdoor furniture systems and archival reissues to experimental lighting, circular materials and collectible surfaces, these launches captured Milan Design Week’s broader conversation around comfort, craft, longevity and atmosphere.
In this SpeakingOut! Interview, Peter Titmuss from BVN explores the complexities of adaptive reuse through the transformation of Sirius, unpacking how legacy, sustainability and contemporary living can coexist within one of Sydney’s most debated residential buildings.
The internet never sleeps! Here's the stuff you might have missed
Scheduled to open later this year on the banks of the Parramatta River, the 30,000-square-metre Powerhouse museum — designed by Moreau Kusunoki in collaboration with Genton — represents a major shift in the geography of Sydney’s cultural infrastructure.
Sydney’s Klaro Industrial Design treats manufacturing as the place where design intent is protected – offering commercial designers a responsive, original and considered way to specify.