On Friday 26 November 2010 Sydney’s elite design industry joined internationally renowned designer and President of the Artemide Group, Ernesto Gismondi at the official launch of Artemide’s Flagship Showroom in Surry Hills. Birra Moretti, FIJI Water and Indesign Group were sponsors for the event.
December 14th, 2010
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Natural forms meet technological sophistication to produce GH Commercial’s Pattern Perfect® Native Collection of carpets. Step inside the factory to see how local flavours inform the design.
Living Edge definitely has the edge when it comes to supplying furniture for the education sector. With a plethora of brands and collections at their fingertips, Living Edge provides the perfect solution for any learning environment.
Bidding farewell to mundane and uninspired office spaces, colour has transformed our workplaces into layered and engaging environments. So we sit down with Karina Simpson, Hot Black’s Workplace Lead, to talk about the influence colour has on the workspace landscape through the prism of Herman Miller’s progressive colour philosophy.
A new sculptural building designed by Bates Smart that aims to herald an expressive era in architecture has been unveiled by Melbourne-based development partners Golden Age Group and Asian Pacific Group.
The internet never sleeps! Here's the stuff you might have missed
Wilkhahn’s innovative seating and furniture solutions turn conference settings and executive offices into compelling spaces centred on the people who use them.
A grand stage demands a grand performance and the interior architecture at The Charles Grand Brasserie and Bar lives up to its surroundings at 66 King Street. With multiple hospitality functions offset against music venue TIVA down below, these elegant spaces contain more than a hint of Old World decadence.
Missed the entry window for the INDE.Awards? Fear not! Entries extended until April 6.
The idea that the only way is forward isn’t new but it feels particularly current when it comes to the evolution of the commercial workplace. Here, Bradhly Le takes stock of the significant transformation this typography has been going through – and points to adaptable design as one of the essential vehicles for this dynamic shift.