The home of architecture and design in the Asia-Pacific

Get the latest design news direct to your inbox!

2020 Dulux Colour Awards finalists announced

After receiving over 450 entries, a panel of leading names from Australia and New Zealand’s design and creative industries have selected 107 finalists across both commercial and residential spaces.

2020 Dulux Colour Awards finalists announced


BY

May 7th, 2020


Finalists for the iconic program, now in its 34th year, were chosen across six categories: Commercial Interior: Public and Hospitality (23 finalists); Commercial Interior: Workplace and Retail (21 finalists); Commercial and Multi-Residential Exterior (15 finalists); Residential Interior (27 finalists); Single Residential Exterior (10 finalists); and Student (11 finalists).

“Architects and designers have set a new precedent with this year’s awards program submissions,” says Andrea Lucena- Orr, Dulux Colour Planning and Communications Manager.

“They have exhibited original and masterful use of both colour and texture in their design approach, creating sophisticated interior and exterior spaces.

“There has been a shift away from cooler whites and neutrals which have previously dominated both residential and commercial interiors, with rich brown-based hues, such as soft terracotta, beiges, earthy greens and warm greys coming to the fore.

“We have seen the emergence of textures, such as concrete effects, patinas, French Wash and Suede Effects in both commercial and residential spaces. Repetition of these textures paired with unexpected tones was apparent, such as yellow, red and coral in the form of accent walls, cabinetry, doors, skylights and trims; not to mention the use of murals and graffiti walls in commercial settings to promote creativity and clever ways to minimise paint wastage.

“Many briefs discussed the need for the space to be conducive for rest and a connection to nature, which translated to the employment of botanicals and natural materials, such as timber in both interiors and exteriors.

“The student submissions were also impressive, delivering fearless and original colour concepts and applications.”

The judging panel includes Adele Winteridge, Director of Foolscap Studio; Jean-Pierre Biasol, Director of Biasol Design Studio; Jonathan Richards, Director of Richards Stanisich Architecture; Kathryn Robson, Director of Robson Rak Architects & Interiors; and Toni Brandso, Director of New Zealand’s Material Creative.

Winners of the 34th Dulux Colour Awards will be announced in the coming months.

 To view all finalists in their respective categories, click here.

 

Photography by Douglas Mark Black.

Article originally appeared on Architecture & Design

INDESIGN is on instagram

Follow @indesignlive


The Indesign Collection

A searchable and comprehensive guide for specifying leading products and their suppliers


Indesign Our Partners

Keep up to date with the latest and greatest from our industry BFF's!

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

Dale O’Brien on sitting easy with Herman Miller’s Verus Chair

In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

A collective vision: The whimsical workplace with Intuit, COX and MillerKnoll

Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.

Material integrity at SJB’s Billyard Avenue

Material integrity at SJB’s Billyard Avenue

Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

Michael Drescher and Jacob Olsen on finding the sweet spot with Herman Miller’s Sayl Chair

In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.

Related Stories


While you were sleeping

The internet never sleeps! Here's the stuff you might have missed