Dan Lemmon discusses the film’s visual feast of effects.
March 24th, 2010
James Cameron’s epic tale of the fictional land of Pandora was a pioneering cinematic production released last year to global box office success and critical acclaim.
While the film wooed crowds with its epic story of love, war and destruction, which paralleled contemporary concerns, the film’s visual effects made Cameron’s efforts on Titanic look amateur.
Teaming up with New Zealand’s Weta Digital – a pioneering visual effects company – Avatar created a vision of a land set in 2154 inhabited by Na’vi, blue-skinned 3 metres tall ‘sapient humanoids’.
Fresh from a sweeping success at the Oscars where it scooped best visual effects award among others, the International Association of Lighting Designers (IALD) presents a talk from Dan Lemmon, the visual effects supervisor.
As the Digital Effects Supervisor on Peter Jackson’s King Kong, as well as working on The Lord of the Rings Trilogy, Lemmon is an award-winning effects expert.
Discussing the role of lighting designers in their team and the skills and techniques they use to enhance the world in which they work, the presentation will be followed by a full screening of the film in 3D in both Melbourne and Sydney.
Tuesday 30 March 2010 at 6pm at Hoyts Melbourne Central, rsvp to ialdanz@iald.org.
Wednesday 31 March 2010 at 630pm at Event Cinemas, George Street, Sydney, rsvp to ialdanz@iald.org.
International Association of Lighting Designers
iald.org
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Savage Design presents their furniture and home wares collections, combining performance and craftsmanship in metal work.
When we talk about sustainability there’s a very compelling argument to take a more holistic approach. Just look at Interface and the huge impact it has had not only on the environment but the economies of small communities throughout the developing world.
The internet never sleeps! Here's the stuff you might have missed
Fiona Drago Architect refreshes one of Melbourne’s best-known hotels, balancing heritage character with a more open and contemporary hospitality experience.
SJB transforms former railway land into a 702-home build-to-rent community, using housing, public space and shared amenities to reconnect one of Melbourne’s busiest transport precincts.