Continuing our review of Saturday in Design over the years, this week we look back at the breadth of talent and product on display through our Sydney
March 22nd, 2013
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Join us behind the scenes with V-ZUG’s in-house design team, and discover how this Swiss boutique kitchen manufacturer balances art, science and history to create its pioneering Excellence line.
Bidding farewell to mundane and uninspired office spaces, colour has transformed our workplaces into layered and engaging environments. So we sit down with Karina Simpson, Hot Black’s Workplace Lead, to talk about the influence colour has on the workspace landscape through the prism of Herman Miller’s progressive colour philosophy.
Entries for the Gaggenau Kitchen of the Year close on April 30!
Emma Elizabeth from thedesignvlog.com starts off her Milan odyssey at Zona Tortona, where she checks out new work by Superstudio Piu, Moooi and Tom Dixon.
RANGE of elegant “chairs” featuring armonic steel back and outer cover in Hide leather. Upholstery covered with soft leather. Delivery time: 12 -14 weeks Applications: Contract and residential Variations: Chair (high, low back)/ Lounge/ Swivel arm chair , Sled, Cross steel, Five Spoke bases Finish: Epoxy or ECO CHROME Manufacturer: Fasem, www.fasem.it Designer: Roberto Lazzeroni, […]
They’ve spent years practicing architecture or design with a consistently bold and fearless approach. They inspire others with their skill, insight and foresight. We are honoured to reveal our Luminaries of 2020.
The internet never sleeps! Here's the stuff you might have missed
A Japanese restaurant experience like no other: Kelly Ross has delved into Japanese folklore to respond to the incredible cuisine of hatted chef Nobuyuki Ura.
Polyflor’s own Expona Superplank range redefines the potential for lavish vinyl flooring everywhere.
The collaborative exhibition Sense of Direction sees artist Brendan Huntley join forces with Melbourne fashion label Alpha60 siblings Alex and Georgie Cleary. The exhibition launches in March at Heide Museum of Modern Art.
The idea that the only way is forward isn’t new but it feels particularly current when it comes to the evolution of the commercial workplace. Here, Bradhly Le takes stock of the significant transformation this typography has been going through – and points to adaptable design as one of the essential vehicles for this dynamic shift.