Graduate Fashion Showcase

March 17th, 2011

There was a touch of whimsy and a fleeting sense of fantasy to the Graduate Showcase parade at the L’Oreal Melbourne Fashion Festival.

Genevieve Kulesza

Twelve emerging fashion designers were selected for the show, their collections tapping into themes of high fantasy and Gothicism one might associate with cult classics such as The Labyrinth and Where the Wild Things Are.

Colourful patterning in soft, warm hues and strong geometric lines (White3) featured heavily, those bright, eye-drawing elements strongly reminiscent of the dreamy bohemian style of renegade label, Romance Was Born.

Threaded throughout was a strong sense of the handmade, expressed through intricate cuts and hand-drawn patterning and prints (Kate Watson and VW406).

Kate Watson

A series of structured men’s jackets and pants were juxtaposed against swirling dresses and skirts (Ana Diaz), as well as sheer layers (Kate Sala). Huiee infused kimono elements into the collars and lapels of men’s jackets, adding large, stiff bows to further accentuate the theme, while softening the overall effect.

Ana Diaz

Kate Sala

Huiee

But nothing could beat the collection debuted by Celene Bridge, whose models strutted down the catwalk with intriguing animal heads, oversized bear paws, and delicate skeletal pieces attached to their fragile frames.

Celene Bridge

Stand-out fashion designers to watch include: Sarah Mok, Ana Diaz, Kate Sala and Celene Bridge.

Hero Image: Ephemeral Reverie. Photography by Lucas Dawson Photography

L’Oreal Melbourne Fashion Festival
lmff.com.au

INDESIGN is on instagram

Follow @indesignlive

An untethered design for a fluid workplace: Joel Sampson discusses the Bay Work Pod

How can design empower the individual in a workplace transforming from a place to an activity? Here, Design Director Joel Sampson reveals how prioritising human needs – including agency, privacy, pause and connection – and leveraging responsive spatial solutions like the Herman Miller Bay Work Pod is key to crafting engaging and radically inclusive hybrid environments.

Shaping Australian design culture for 25 years with Living Edge CEO Aidan Mawhinney

For Aidan Mawhinney, the secret ingredient to Living Edge’s success “comes down to people, product and place.” As the brand celebrates a significant 25-year milestone, it’s that commitment to authentic, sustainable design – and the people behind it all – that continues to anchor its legacy.