The office of Design Systems in Hong Kong is a daring blank canvas where creativity flourishes.
June 4th, 2014
Life is a leaf of paper white, thereon each of us may write his word or two – Amy Lowell.
Award-winning interior and industrial design studio Design Systems have completed a diverse range of projects since coming onto the scene in 1999. But it could be said that their very own Hong Kong office, located in an industrial building in Kowloon, is their boldest work yet.
Where other designers might be compelled to use their workspace as a platform to express their ‘design know-how’ with a variety of features, Design Systems’ 300m2 office is a blank white slate – a work of restraint. The intention? The firm wanted to create a platform where the design process could be exhibited, and celebrated.
Lam Wai Ming, Director of Design Systems explains, “When designing an office, one almost always treats it as a chance to put across a thought, a statement, or even a manifesto that represents the company. But then the office becomes nothing more than an advertising billboard. And when it comes to designing an interior design firm’s office, heavy ornamentation could be interpreted as ostentatious. This is not what we want, especially when it is our office. It has to [express] the way we think, the way we work. [It has to be] a place that lets us be ourselves and do what we like.”
As each project undertaken by the firm progresses, the walls and boards are covered with research, design sketches and presentations, recording the evolution and development of every design stage. Similarly, the brass door at the main entrance and the white floors collect the footprints and fingerprints from the staff and clients, serving as a testament to the company’s growth.
Given the chaotic routine of a design firm, the designers came up with a solution to address two very contradicting needs – the need for maximum open surfaces to allow for mess, and for minimum exposure of such mess. The office thus comes with plenty of storage, where mess is readily covered up behind sliding boards. In turn, these white boards exhibit the creative efforts of the team at any given moment. And once the project is over, the office returns to a clean canvas, ready for a new one to commence.
“We hope this will be a space that grows and evolves with us, [serving] somewhat like a diary,” says Lam.
Design Systems
designsystems.com.hk
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The internet never sleeps! Here's the stuff you might have missed
The Commons has recently opened two new sites in Melbourne designed by DesignOffice — and this time, they include comprehensive health amenities.
Five SJB directors join STORIESINDESIGN podcast the morning after celebrations at the NGV marking 50 years of practice for the Australian design firm.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.