Rethinking Japanese dining: an izakaya that draws on music and social interaction for a warm and contemporary space. Tamsin Bradshaw reports.
January 13th, 2016
Koko means “here” in Japanese, and this word is at the heart of the design for KOKO, a new izakaya by private members club KEE Club. “We want KOKO’s guests to be ‘here’: to be present in the moment; to meet new people, and to immerse themselves in the atmosphere, drinks and food,” says Mara Rhomberg, Creative Director of Koko.
The atmosphere is designed to bring people together in an intimate environment – something Christian Rhomberg, Founder and Chairman of Kee Club, views as one of the restaurant’s best features. “[It has] typical Japanese alcove seating, but at the same time, the terrace and bar area also offer people a place to see and be seen,” he says. “Most restaurants today are designed around one sole function – dining. Whereas Koko is a social meeting and dining place – it combines three functions: dining, lounge and club atmosphere.”
Japanese-style alcove dining at Koko, with Sean Lee Davies’ photography as a backdrop
Koko’s club atmosphere comes from its carefully curated music offering. “Simon Pang, Kee’s Head of Music, has created an eclectic music persona for Koko that reflects the eclectic style of music popular in Japan,” says Mr. Rhomberg, who envisages Koko becoming a “hub for musical creativity” in Hong Kong.
Along with music, art and sake are part of Koko’s DNA. Kee’s design team, headed by Kee Signature Architect Gavin Tu, installed metal wall panels, which will serve as a backdrop for rotating art exhibitions. First up is Love is Wild, a series of photographs by Sean Lee Davies for Project C:CHANGE. The series features Chinese models and actresses with endangered wildlife in a bid to raise awareness of and to combat endangered wildlife trade around the world. “We wanted to lead with a Hong Kong-bred artist with a cause,” explains Mr. Rhomberg. Next up is a series of Japanese photographs from the 1960s.
Metal panels create the perfect backdrop Sean Lee Davies’ “Gentle Giants” image, depicting elephants in Kenya
Former footballer, fashion icon and sake lover Hidetoshi Nakata plays a starring role at Koko, too. A partner in the restaurant, Nakata brings to Koko his own sake, as well as a range of unique sakes from small breweries around Japan.
As with the drinks menu, Koko’s careful, creative approach to food pays homage to its Japanese roots, as do the interiors. “We used typical Japanese materials – black stone, charred wood, orange light filters, leather, natural linen, dark metal and golden copper surfaces,” says Mr. Rhomberg.
Bar seating – a necessity due to the layout of the space – overlooks the terrace
The restaurant also has a leafy, lounge-y terrace illuminated by textile lanterns. Overlooking the newly revamped Central Police Station Compound – which is set to be an F&B and design hub – Koko is right in the heart of the action. At the same time, though, its warm ambience, and chilled-out terrace make it the perfect retreat from hectic city life.
KOKO
kokohk.com
KEE Club
keeclub.com
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Natural stone shapes the interiors of Billyard Avenue, a luxury apartment development in Sydney’s Elizabeth Bay designed by architecture and design practice SJB. Here, a curated selection of stone from Anterior XL sets the backdrop for the project’s material language.
The internet never sleeps! Here's the stuff you might have missed
Curator, writer and educator Kate Goodwin was in town for Melbourne Design Week. Here, she reflects on how light-touch organising and designer-led spaces created some of the most impactful, distinctive exhibitions.
Twenty years after its founding, Muuto used 3daysofdesign to look beyond the idea of novelty and towards a more reflective future for Scandinavian design.