Whilst we may be in the midst of the “Asian Century” commentators believe we have embarked on an equally significant era: “the Female Economy”. According to Harvard Business Review, women now drive the world economy, controlling approximately $28 trillion in annual consumer spending*.
February 19th, 2016
Although the market is diversifying, it is rare to see this diversity adopted in the workforce – including the architecture industry. Parlour, Australia’s preeminent advocate for gender equity in architecture has conducted extensive research into the lack of women represented i!n senior positions in the industry.
Parlour’s findings are that there is a striking scarcity of women in senior leadership and management roles in the Architecture industry. Unfortunately, trained women tend to leave the profession by stepping sideways into aligned disciplines or not returning from a career b!reak.
Despite these findings, female architects at Fulton Trotter Architects are making their mark on a number of significant projects, with two of their largest aged care projects led by females. Associate Director at Fulton Trotter Architects, Justine Ebzery says a diverse and balanced team is important to the practice.
“A rounded staff provides us with a range of opinions and attitudes that reflect and represent the community and clients that we design for – particularly in the Aged Care and Education sectors, which have traditionally had a strong female workforce,” says Justine.
Fulton Trotter enjoys a strong female presence with over half their entire workforce comprising of women. Over 60 percent of the firm’s Associates, and 40 percent of Associate Directors are female. Fulton Trotter are committed to supporting women who don’t want to sacrifice a family for their career, nor their career for family.
“We pride ourselves on the diversity of our workforce generally, with a range of cultural backgrounds and ages, not only regarding gender balance. This diversity in our team hasn’t been a conscious decision to meet quotas or targets, but rather a natural consequence of our long standing policy of getting the best people for the job,” she says.
“It is also a reflection of the value placed on people and relationships which is integral to our work culture. We employ the best students and graduates to service our clients’ needs, and work hard to provide a supportive work environment to retain them – I think the retention of our staff is a demonstration of our commitment to these values,” she says.
According to Parlour, the leading architecture firms of the future will overcome the current day-to-day challenges that impact on women in the industry in exaggerated ways, by creating increased flexibility, meaningful part-time work, acceptable career breaks and reasonable hours. This is the ideal for Fulton Trotter, who already provides flexible working conditions to encourage staff to continue advancing their careers whilst taking important time out to pursue family, study or travel goals.
* Harvard Business Review 2009: “The Female Economy” forecast spending
Fulton Trotter
fultontrotter.com.au
Parlour
archiparlour.org
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Developed by bangdesign for Stylecraft, Kinn is an Australian-made collection of seating and occasional tables, shaped by modest proportions, practical detail and the changing demands of shared interiors.
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
At 3daysofdesign 2026, AHEC’s immersive exhibition traced the journey of American hardwood from forest to finished product.
As Woven Image celebrates 40 years, it introduces a new collection developed in collaboration with Australian artist Ben Goss, inspired by his original artwork Where the Kookaburra Sits into a vibrant collection of digitally printed EchoPanel® murals and patterns.
If we’re going to disrupt the aged care sector, who better to bring on the journey than Baby Boomers? Futurist and demographer Bernard Salt AM believes they have the perfect ‘get up and go’ disposition to make ‘ageing’ all the rage.
These two South Australian’s have certainly packed a lot into a short timeframe. Graduating as Industrial Designers in 2007 they have already worked for the likes of Marc Newson, staged exhibitions in London and Tokyo, won the 2010 Bombay Sapphire Design Discovery Award, been listed by Wallpaper* as ’Design Graduates To Watch’ as well as the Blueprint Award at 100% Design London
Andy Macdonald, Architectural Producer of ‘I Love Todd Sampson’ spoke to Amelia Chandler about the challenges and opportunities faced in staging a one of a kind performance in Sydney’s historic Pier 2/3
From October 2015 to January 2016, otherothers’ Grace Mortlock and David Neustein will represent Australia at the inaugural Chicago Architecture Biennial, with an installation that will be on display throughout the duration of the Biennial.
The internet never sleeps! Here's the stuff you might have missed
Late night rethinks, endless material testing and prototyping, half-finished or abandoned projects – the work behind-the-scenes work is often where ideas come undone. Elton Group’s Think Good Micro-Grant – a $5,000 annual fund now open for applications – exists to back this kind of unseen effort.
Following a successful exhibition at San Marco Art Centre (SMAC) in Venice, a retrospective exhibition on the work and life of preeminent Australian architect Harry Seidler is open at the University of Sydney’s Chau Chak Wing Museum.
Born out of Saturday Indesign research, our new Social Club is a space for younger, junior designers to meet and discuss the issues of the day — and it just hit Melbourne for the first time.
After two decades of creative partnership, Kim Colin and Sam Hecht of Industrial Facility step into a joint role as Herman Miller’s Global Creative Directors – a reminder that the brand’s ethos isn’t defined solely by their products, but also by the quiet thread of thought that shapes the space in-between, crafting a purposeful, human-centric and enduring trajectory.