The winners of 2011’s Annual Manual: A Guide to Australian Design Now were announced at Sydney’s Object: Australian Centre for Craft and Design on Friday 8 April.
April 27th, 2011
Thomas Llewellyn and Daniel To and Emma Aiston have been named joint winners of 2011’s Annual Manual: A Guide to Australian Design Now.
Their designs were picked from a pool of 120 nominated entries to receive a shared exhibition in the Project Space of Object Gallery in 2012, with Object also helping to finance new work from the artists for next year’s exhibition.
Melbourne-based RMIT graduate Llewellyn’s award-winning entry Drawing Board allows 2 people to sit and exchange ideas at a shared table through drawing. Drawing becomes a tool for design and social interaction through a process of collaboration.

“Thomas has created a conceptual piece that sends an idea out into the world,” said jury member Dan Honey, Co-founder of Office for Good Design and Creative Producer of the State of Design Festival.
To and Aiston – better known as Daniel Emma – won for D.E., a collection of 7 desk accessories well-regarded for their simplicity and purity of form.
Jury member Kate Rhodes, Curator of RMIT’s Design Hub, Creative Director of the State of Design Festival and Co-founder of the Office for Good Design described D.E. as “a collection of refined, quiet and inspiring pieces.”

Annual Manual: A Guide to Australian Design Now! is on display in Object’s Main Gallery until 19 June 2011. See images from the exhibition’s opening night here.
Object: Australian Centre for Craft and Design
object.com.au
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
The Geelong College’s Sport and Wellbeing Centre ‘Belerren’ designed by Wardle is designed around bringing in natural light. But Shade Factor’s job was to help modulate and precisely control it for the most important competitive moments.
In the first instalment of our three-part series exploring what it means to sit your best, we pose the question to Gray Puksand’s Dale O’Brien, who discusses the importance of ease and majority rule when it comes to sitting and reveals why specifying a task chair is not unlike choosing a Volvo.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
Plagued by setbacks Sydney’s bright new Prince Alfred Park Pool reopened to the public today, three years behind schedule. Owen Lynch reports.
The new Heritage Loom Collection weaves past and present together to capture the spirit of iconic fabric construction
The internet never sleeps! Here's the stuff you might have missed
Presented by Designer Rugs
The newest brand to emerge from Cosentino’s creative crucible is Ēclos, a next-generation mineral surface that embodies the organic beauty and tactility of marble in a precision-mineral surface or material.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.