The launch of Phillip Jeffrie’s new collection at The Textile Company was a lovely event, with live music and happy faces.
October 28th, 2014
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The difference between music and noise is partly how we feel when we hear it. Similarly, the way people respond to an indoor space is based on sensory qualities such as colour, texture, shapes, scents and sound.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
Design and architecture in the Arctic is explored in a new exhibition now on at the Hong Kong Design Institute. Christie Lee writes.
Central to the hubbub of Canberra while simultaneously offering the respite of nature – the Northshore Kingston development by Pavilion Group also wins with the inclusion of Bosch’s Series 8 collection.
The Interior Innovation Award at imm Cologne honours the best in interior design innovation in 4 categories, with overall ’best of the best’ awards. The awards also include the d3 contest for young designers. The full list of winners is below: Best of the Best ‘OSCAR’ Table by Piero Lissoni Glas Italia […]
At this year’s Saturday in Design Classique held a business card draw, open to trade visitors, where participants went into the draw to win an EMO LOUNGE Chair by designer Gentano Cunsolo. The winner was Christian Gerdes of Hassell Sydney. Runner-up prizes for a Classique Lavender “Mini-Armchair” Mobile Phone Cradle goes to: • Gail Murphy […]
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This November marks 25 years since Greg Natale opened his Sydney studio. In the decades since, he has built one of Australia’s most recognisable design practices, defined by pattern and decorative conviction.
AIM Architecture reimagines HARMAY’s Beijing flagship as a gallery-like environment, where products are archived, displayed and experienced rather than simply sold.