The University of Tasmania has announced the team that will bring their new Academy of Creative Industries and Performing Arts, to life. Nic Sherwood reports.
September 20th, 2013
The University of Tasmania (UTAS) has announced the creative and engineering teams behind their new $75 million Academy of Creative Industries and Performing Arts (ACIPA).

WOHA’s The Hyde Apartments in Sydney © WOHA
Local architects Liminal Studio will work in partnership with internationally-renowned Singaporean firm WOHA as well as Arup’s acoustic and theatre consultancy divisions. The new building, which will be situated next to the Theatre Royal in Hobart, furthers the island state’s international architecture appeal on the back of the now world famous MONA gallery and luxury projects like Saffire at Freycinet Bay and the progressive GASP! sculpture park.

Domenic College by Liminal Studio © Liminal Studio
“The partnering of local firm Liminal with WOHA, internationally-acclaimed for their cutting-edge work on ecologically specific architecture, and Arup Acoustic and Theatre will give the project national and global exposure, while strengthening UTAS’ ties to our Asia Pacific neighbours.” explains UTAS Vice-Chancellor Professor Rathjen.
UTAS Performing Arts © UTAS
The building seeks to become the principal centre for performing arts and creative industries within Tasmania. Inside will be state-of-the-art acoustic, visualisation, and computing technologies as well as flexible laboratories, rehearsal and performance spaces. Additionally a Creative Technology studio, recital hall and black-box theatre space will lend the site to a multitude of uses.
Upon completion the building will also become the new home for the Conservatorium of Music, providing new front of house facilities for the Theatre Royal as well as firmly placing UTAS on the design radar.
WOHA
Liminal Studio
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
Stepping into Intuit’s Sydney workplace certainly doesn’t feel like walking into an office. Why? In this film, we discover that, when joy takes precedence as a design driver, even a high-performing commercial CBD headquarters can feel like an intuitive wonderland that invites employees to choose their own adventure.
In the second instalment of our performance seating three-parter, we turn to DKO’s Michael Drescher and Jacob Olsen to peek behind Sayl’s confident architectural form and explore the ideas of inclusivity, adaptability and freedom to move as hallmarks of what sitting your best actually means.
In the last instalment of our three-part performance seating series, Alex Bain from Architectus explains why sitting well shouldn’t feel like sitting at all and explores an unexpected success metric of the hybrid workplace: the grounding power of emotional support.
Premier and Arts Minister Anna Bligh today announced Ewan McEoin as the Creative Director of the first Design Triennial to be held in Brisbane 4-10 October, 2010. “Ewan brings to the Design Triennial extensive national and international expertise in the business development and delivery of design events, having led the Victorian State of Design Festival […]
The evolution of one of Sydney’s famed grocery stores into a global phenomenon has seen diversification that reaches across their store design as well as services. Owen Lynch inspects the menu.
The internet never sleeps! Here's the stuff you might have missed
Presented by Shade Factor
Joanne Odisho has been named the 2026 Australian Furniture Design Award winner for Mod-u, a modular lighting system made from eggshell composites and bio-filament.