The current exhibition on contemporary Italian Design serves as a lead up to Milan’s presence as ‘Guest City’ at the next edition of Beijing Design Week.
July 20th, 2012
China is not just a political and economic powerhouse – its design industry is steadily garnering worldwide attention, as seen at last year’s much talked about Beijing Design Week, and in the recent naming of China’s capital as ‘City of Design’ by UNESCO, in recognition of its drive to promote greater innovation in its design sector.

And from now till 20 August in Beijing, The New Italian Design 2.0 is being presented in Asia for the first time by the Beijing Industrial Design Center and the Triennale Design Museum.


To be held in the lead up to the next edition of Beijing Design Week in September, The New Italian Design 2.0 showcases an in-depth and broad overview of contemporary Italian design, offering a reflection on the economic, political, technological, and cultural transformations of our times.


The exhibition is carried under the direction of Silvana Annicchiarico and curated by design master Andrea Branzi, and the idea is not just about presenting products to the China audience, but to introduce ideas and concepts, basic requirements that would allow the Chinese design industry to mature on an international level.

The New Italian Design 2.0 comprises 282 projects: 165 deal with product design issues, 30 are graphic in nature, 54 focus on the body and decorative objects such as jewels, bags and accessories, 14 are pure research projects, 14 involve food design, and 5 cover interior design.



The New Italian Design 2.0 will be held from 16 July to 20 August 2012 at China Design Market – World Design Capital.
INDESIGN is on instagram
Follow @indesignlive
A searchable and comprehensive guide for specifying leading products and their suppliers
Keep up to date with the latest and greatest from our industry BFF's!
In an industry where design intent is often diluted by value management and procurement pressures, Klaro Industrial Design positions manufacturing as a creative ally – allowing commercial interior designers to deliver unique pieces aligned to the project’s original vision.
Herman Miller’s reintroduction of the Eames Moulded Plastic Dining Chair balances environmental responsibility with an enduring commitment to continuous material innovation.
At the Munarra Centre for Regional Excellence on Yorta Yorta Country in Victoria, ARM Architecture and Milliken use PrintWorks™ technology to translate First Nations narratives into a layered, community-led floorscape.
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
We believe that exceptional design speaks for itself. That’s why we’ve curated 11 INDE.Awards categories that champion the most progressive work in the region.
The Sherman Centre for Culture and Ideas (SCCI) is back this year with its vibrant ten-day festival, the SCCI Architecture Hub 2019. Tickets are going fast!
The internet never sleeps! Here's the stuff you might have missed
In a tightly held heritage pocket of Woollahra, a reworked Neo-Georgian house reveals the power of restraint. Designed by Tobias Partners, this compact home demonstrates how a reduced material palette, thoughtful appliance selection and enduring craftsmanship can create a space designed for generations to come.
Shortlisted in The Retail Space category at the 2025 INDE.Awards, this new design for brand retailing is so much more than a retail store and is now the jewel in the crown of Sunita Shekhawat.